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What Are You Doing About Your Superfluous Hair?
NOWADAYS no attractive utrl will allow ■ Uncle id hair In hlfiulsli Iiit oiIi.twI-k lovel) ■!>■ iUlm> .mil refined woman the ■arid ot« Is re wot lug hei superfluous hair b«oause li [[-•in h. i churn)
hate In mil v ami ■ml thl ii .in ur1> growth of embarrass
superfluous* hi
■ i Ul milady of superfluous hair
rrault In stronger growth, be
nourltthmrnt to the hair has not be«i leading the follicles to produce a more luxuriant ust whrre It Isn't S mount of purely I application can i remit Increasing and coarser nth. All hair is dependent for life upon the seof the hair glands. kll l.l TK Hall D reu perfectb
iperfluous si.ui growth, not only by rehe hair, but by Its pM t r to penetrate and dry nourishment to the balr iirherrrtr applifrfi. The natural and Inevitable result L« starvation and death to (lie
A Safe Treatment
Po«
tion Treat
It takca the pla ditl.-iciit ct.-um — and it docs the work.
IN 1" because: lat-tt Wemcha the *kin
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Kad— Softana hWe velvet.
<• •» ctilirgi'd
poraa and rertne.-* the
akin.
4th -Eradicate* anil ward*
off all tiny line* un>i
that "withered" look.
.'thRemoves all chap and
'KJLKDTK
uiata i Bet* a* an in*tant h-t
n which deviUhie* those parts which supply nourishment to the hnir tender<-«t skin and i* absolutely harml.sa.
It can be applied i
Beaut-her As Well
Ite for ^t. but onder' thus
The elimination of all hair is not the only advnnnure of Kilr
ilv biir^s the luxury of a iai | a low co
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If after trying the Kilmte Combination Treatment you find i a* represented, return the anueed portion to the dealer who s< you and the price will immedlati 1 You risk in
Men and Women With Superfluous Hair Soon a Rarity
t is not Id it to
>thin(r.
■ >f
eOn
.in
ement _ for the eliminatio-. . _ . _> many thousands are adopting •ihod for destroying superfluous hair it is said, a man or womnn with superfluous hair n be a rarity. Have you used it 7 If nut. Set a package of Kilmte today and end the anaoy-nce of unsightly hair— -dont delay another mmuie.
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Foreign Films
(Continued from pagt 27)
ENGLAND
If England has yielded t<> the his torical trend, it has done so less from necessity than from conviction. If in i !ei many histor) is a refuge, in I land ii is an opportunity, and th( British producers have withdrawn t'> the past because for the momenl il appears to present an artistic appeal superior to the lure of contemporary events. Tho abiding strictly by the
historical (.■(invention in such a recent film as "The Virgin Queen," a effective departure from the rule of
uniformity is made in such a film as "Don Quixote," in which legend is given precedence to fact and in which the grotesque adventures of Spain's amiable hero are visualized to a world which knew him only thru translation. The task of presenting Sancho Panza, Don Quixote's faithful servitor, in a language intelligible to all nations has been entrusted to ( ieorge Robey. England's great character actor, who will make his first screen appearance in this picture, under the patronage of the Stoll Film Company. Robey has until now remained one of the few great artists with a world reputation who has evaded the lure c.f the films and his capture is an event for the picture world.
Another departure, in which the historical yields to this aesthetic, is the Stoll production of "The Indian Love Lyrics," the immortal songs now familiar the world over. ( )n this slender golden thread is woven a fabric of romance and beauty providing a gorgeous mantle for an aery form, the screen recreating the pathos and tragedy of the poems, and revealing poetry to be as fertile a field for the film as art.
RUSSIA
A Russian film, actually produced in Russia, is a rare event, but if "The Disinherited" is an example of what can be done in the heart of that enigmatic country, it is a pity that more pictures are not forthcoming. The story itself is Danish, founded on the novel of A. Madelung, but the incidents dealt with are a dramatic phase of Russian life in the days of the Czar. The picture was made by C. P. Dreyer. the Swedish producer, and among the artists appearing in the principal roles are Mme. Piechowska, of the Korcha Theater. Moscow ; V. Gaidaroff and R. Boleslawsky, of the Stanislawsky Theater: and J. DuvanTorzoff. of the Drama Theater of Kiev. The adventure involved in the making of the picture makes almost as interesting a narrative as the
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