Motion Picture Classic (1923, 1924, 1926)

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Films Tho European Studios neatest character actors in Prance. I foot of this film is French, with no effort to disguise us nationality, and the result was thai it was sold at once for the American market This success has paved the wa> for a aeri< productions in the same manner, real native products, both subject and treatment faithful to the -"il and spirit of France, ^mong the new films of this kind arc "Little Jacques," [tales Claretie's classic, a French "Oliver Twist" with a strong strain of Gallic intensity running thru it; "Genevieve," Mallarme's classic pastoral romance, picturized with all its beauty and poetry charmingly preserved; "The Urchin of Paris." a homely, humorous domestic drama which loses none of its interest tor being written for an older generation . "Faith fill Heart." the traged) of a French port town against a sombre background of harbor life ; and several other films of a kindred nature. Pictorially, "< renevieve" is perhaps the most beautiful of the series, the photography and poetic treatment being faultless, but e m o t i o n al 1 y "L i t tl e Jacques" is the most effective. The story is hardly original, verging on the melodramatic, but it is so well told, so truthfully executed, as to give the narrative the quality of stirring reality. The picture is a great advance over the abortive efforts d /'. linerieaine which preceded it. ITALY Simultaneously with the French reversion to native subjects and native treatment, the Italian producers reveal a similar tendency, after having exploited, like the other European producers, ill-starred efforts to make films in the (Continued on page 81) Above is a Russian picture based on the life of the great Shakespearean actor. It is called simply, "Kean." Left is a vendetta about to be consummated. It is from an Italian film called "Supreme Love." Below is a Swedish picture romantically titled "The Eyes of Love" Left is a bit from a French film, so typically French in every aspect that one might call it "one hundred per cent. French" (Twentyseven >