Motion Picture Classic (1923, 1924, 1926)

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Ball To Be Or Not To Be— Back again in pictures, is Mabel Ballin's particular query these days. Every week we get a different report about Mabel: that her husband is to direct her, that he is not to direct her; that she is to be a free-lance star, that she is to form her own company, and so on. Meanwhile, the screen languishes without her quaint, elusive charm. We'll leave it to you that she should be back (Forty-one)