Motion Picture Classic (1923, 1924, 1926)

Page scan 000561 from Motion Picture Classic

Record Details:

Title:
Motion Picture Classic
Date:
1923, 1924, 1926
Publisher:
Chicago, Motion picture publications, inc.
Volume:
Motion Picture Classic (1923, 1924, 1926)
Leaf #:
000561
Language:
English
Subjects:
Motion Pictures, Film Industry Fan Magazine
Collection:
Hollywood Studio System, Fan Magazines, and Early Cinema
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
First issue in 1915; absorbed Shadowland in November 1923; became Movie Classic in September 1931. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
July 11, 2024
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Who's Who; On Stage and Screen c ( landc H*i < is, BERNARD SHAW Has had so much written about him that there is absolutely nothing left to say. This famous Irish scoffer, author of many subtle, brilliant and sophisticated plays, has at last written a play totally unlike any of his others. That is "Saint Joan," which has just ended its most successful New York run. It is humble, beautiful and moving, a drama with a soul. It is now published in book form by Brentano's. If you like Shaw, or, dislike him, get the book White Studios JANE MURFIN Is the owner of Strongheart, distinction enough for one woman in one lifetime. She has written a number of successful scenarios; directed and produced several pictures; collaborated with Jane Cowl on "Smilin' Through" and one other stage play and is at present resting on her laurels in Hollywood, where this picture was taken W. C. FIELDS Played on the stage for twenty-six years and never spoke a line! He was a pantomimist and juggler in every country on the face of the globe, once jumping from Australia to Syracuse, N. Y., for a onenight stand only to find when he got there that his part had been written out! His first speaking part was in "Poppy" and it was an instant hit. Let us hope he'll always talk after this (Forty-three)