Motion Picture Classic (1923, 1924, 1926)

Manufacturers, Distributors and Studios of Motion Pictures NEW YORK CITY Advanced Motion Picture Corp., 1493 Broadway American Releasing Corp., 15 W. 44th Street Arrow Film Corp., 220 W. 42nd St. Associated Exhibitors, Inc., 35 W. 45th Street Ballin, Hugo, Productions, 366 Fifth Ave. Community Motion Picture Bureau, 46 West 24th St. Consolidated Film Corp., 80 Fifth Ave. Cosmopolitan Productions, 2478 Second Ave. C. C. Burr Prod., 135 W. 44th St. Distinctive Prod., 366 Madison Ave. (Biograph Studios, 807 E. 175th St.) Educational Film Co., 729 Seventh Ave. Export & Import Film Co., 729 Seventh Ave. Famous Players-Lasky, 485 Fifth Ave. (Studio, 6th and Pierce Sts., Astoria, L. I.) Film Booking Offices, 723 Seventh Ave. Film Guild, 8 W. 40th St. Film Market, Inc., 563 Fifth Ave. First National Exhibitors, Inc., 383 Madison Ave. Fox Studios, Tenth Ave. and 55th St. Gaumont Co., Congress Ave., Flushing, L. I. Goldwyn Pictures Corp., 469 Fifth Ave. Graphic Film Corp., 729 Seventh Ave. Griffith, D. W., Films, 1476 Broadway. (Studio, Oriental Pt., Mamaroneck, N. Y.) Hodkinson, W. W., Film Corp., 469 Fifth Ave. Inspiration Pictures, 565 Fifth Ave. International Studios, 2478 Second Ave. Jans Pictures, 729 Seventh Ave. Jester Comedy Co., 220 W. 42nd St. Kenna Film Corp., 1639 Broadway Mastoden Films, 135 W. 44th St. Metro Pictures, Loew Bldg., 1540 Broadway Moss, B. S., 1564 Broadway Outiner Chester Pictures. 120 W. 41st Street Pathe Exchange, 35 W. 45th St. Preferred Pictures, 1650 Broadway Prizma, Inc., 110 W. 40th St. Pyramid Picture Corp., 150 W. 34th St. Ritz-Carlton Prod., 6 W. 48th St. Selznick Pictures, 729 Seventh Ave. Sunshine Films, Inc., 140 W. 44th St. Talmadge Film Corp., 1540 Broadway Topics of the Day Film Co., 1562 Broadway Triangle Distributing Corp., 1459 Broadway Tully, Richard Walton, Prod., 1482 Broadway United Artists, 729 Seventh Ave. Universal Film Corp., 1600 Broadway Vitagraph Films, East 16th St. and Locust Ave., Brooklyn Warner Bros., 1600 Broadway West, Roland, Prod. Co., 236 W. 55th Street Whitman, Bennett, Prod., 537 Riverdale Ave. OUT OF TOWN American Film Co., 6227 Broadway, Chicago, 111. Bear State Film Co., Hollywood, Calif. Leah Baird Prod., Culver City, Calif. Bennett, Chester, Prod., 3800 Mission Rd., Los Angeles, Calif. Charles Chaplin Studios, 1420 La Brea Ave., Los Angeles, Calif. Century Comedies, 6100 Sunset Blvd., Hollywood, Calif. Christie Film Corp., 6101 Sunset Blvd., Hollywood, Calif. Commonwealth Pictures Corp., 220 So. State St., Chicago, 111. Coogan, Jackie, Prod., 5341 Melrose Ave., Los Angeles, Calif. Douglas Fairbanks Studios, Hollywood, Calif. Famous Players-Lasky Studios, 1520 Vine St., Hollywood, Calif. Fox Studios, 1401 Western Ave., Hollywood, Calif. Garson Studios, Inc., 1845 Glendale Blvd., Los Angeles, Calif. Goldwyn Studios, Culver City, Calif. Grand-Asher Prod., 1438 Gower St., Hollywood, Calif. Graf Prod., Inc., 315 Montgomery St., San Francisco, Calif. Harold Lloyd Studios, 6642 Santa Monica Blvd., Hollywood, Calif. Ince Studios, Culver City, Calif. MacDonald, Katherine, Prod., 945 Girard St., Los Angeles, Calif. Mary Pickford Studios, Hollywood, Calif. Mayer, Louis B., Studios, 3800 Mission Rd., Los Angeles, Calif. Metro Studios, 1025 Lillian Way, Los Angeles, Calif. Morosco, Oliver, Prod., 756 So. Broadway, Los Angeles, Calif. Pacific Studios, San Mateo, Calif. Pathe Freres, 1 Congress St., Jersey City, N. J. Ray, Charles, Studios, 1425 Fleming St., Los Angeles, Calif. Robertson-Cole Studios, 780 Gower St., Los Angeles, Calif. Roach, Hal E., Studios, Culver City, Calif, Roland, Ruth, Prod., Culver City, Calif. Sawyer-Lubin Prod., 6912 Hollywood Blvd., Hollywood, Calif. Sennett, Mack, Studios, 1712 Glendale Blvd., Los Angeles, Calif. Sol Lesser Prod., 7250 Santa Monica Blvd., Hollywood, Calif. Stahl, John M., Prod., 3800 Mission Rd., Los Angeles, Calif. Stewart, Anita, Prod., 3800 Mission Rd., Los Angeles, Calif. Tourneur, Maurice, Prod., Ince Studios, Culver City, Calif. Talmadge Prod., 5341 Melrose Ave., Los Angeles, Calif. United Studios, Inc., Los Angeles, Calif. Universal Studios, Universal City, Calif. Vitagraph Studios, 1708 Talmadge St., Hollywood, Calif. Warner Bros., Bronson Ave. & Sunset Blvd., Hollywood, Calif. Weber, Lois, Prod., 6411 Hollywood Blvd., Hollywood, Calif. Wharton, Inc., Ithaca, New York The Celluloid Critic (Continued from page 49) who says and does the obvious things. This actor who flashed such talent in "Beau Brummel" is a good likeness, but there the comparison ends. He seems to be as much in the dark as the director in how to draw the character vividly and compellingly and sympathetically. The picture will arouse discussion — for Lewis is either liked or tossed aside. It may be that some readers, disappointed in the novel, will admire the film — and those who like the story will probably be disappointed in the screen version. More lightness and humor would have made it more human. HOW to Educate a Wife" (Warner Brothers) is one of those satires on modern married life written by no less an authority than Elinor Glyn. She doesn't tread on the sob pedal this time — and somehow by getting away from sermonizing on this eternal subject she comes closer to the truth than what is usually revealed under her signature. It's extremely light fare, but pleasant withal — and the idea points out the impossibility of educating one's spouse when she wants to become contrary. Most any husband will agree with this. The story offers a lot of little pretentions. There is a scheme afoot here when the husband's friend advises him to use his wife for vamping purposes. He cant see the plot at all. But she steps out and vamps one of the customers. And there's an end to the love nest. The rest of the fun deals with hubby trying to run his house single-handed — enjoy-( able incident interlaced with some delicate make-believe tactics toward reconciliation. Marie Prevost and Monte Blue, who are much together in pictures these days, make an excellent pair of battling lovers. And Claude Gillingwater furnishes some of that fine character talent as the "fall guy." The piece moves at a lively pace, keeps its sparks lighted thruout — and exudes more than a share of realities. Monta Bell, who directed "Broadway After Dark," shows that he hasn't worked with Chaplin in vain. There is subtlety in his work. F OOLS in the Dark" (F. B. O.) is as near an approach to clever melodramatic satire as we've caught on the screen in some time. We who have grown accustomed to seeing the old situations with the regulation characters — all of them developed in the same old way, (Ninety-four)