Motion Picture Classic (1923, 1924, 1926)

Something different for fobbed Hair THERE is a tremendous difference in bobs. Some are wonderfully attractive and becoming, while others, well — which kind is yours? I wish you could picture the becoming kind I have in mind — the sort that makes men turn to admire. I can't tell you what the color is, but it's full of those tiny dancing lights that somehow suggest auburn, yet which is really no more actual color than sunlight. It's only when the head is moved that you catch the auburn suggestion — the fleeting glint of gold. You have no idea how much your bob can be improved with the "tiny tint" Golden Glint Shampoo will give it. If you want a bob like that I have in mind, buy a package and see for yourself. At all drug stores, or send 25^ direct to J. W. Kobi Co., 656 Rainier Avenue, Seattle, Washington. Golden Glint SHAMPOO HOW TO OBTAIN BEAUTIFULLY SHAPED LIPS! M. 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How the Keystone Kops Happened (Continued from page 35) Mack Sennett as the police sergeant and the late Fred Mace as the copper in an early Sennett comedy helmets, caps, clubs and sockets and belts. Gentlemen's warbrobe. — Odd coats, pants, vests, shirts, shoes, bell-boys' suits, tragedian's clothes, porters' uniforms, Mexican costumes, tennis blazers, hunting suits, rube clothes, railroad jumpers, eccentric frock coats. Ladies' wardrobe. — Dancing girls' costumes, Spanish costumes, soubrette dresses, bathing suits, old maids' costumes, shirtwaists, wrappers, kimonos, waitress' uniforms, nurses' uniforms, wigs, hats and shoes. Incidentally, Mack Sennett was not above appearing in Keystone comedies himself in those days, and it is undoubtedly in the reader's memory that Mr. Sennett was a laugh producer par excellence, working with Ford Sterling and the late Fred Mace, and in these pictures he wore one of the police uniforms whic^h has played so prominent a part in this little story. (As a captain, always, of course, in charge of the Keystone police.) A battered police club, which the writer has hanging beside his bed (in the interests of self-defense only, of course) and given to him by Harry Guttenberg the day he purchased the Keystone wardrobe, is a mute and constant reminder of those dear old days — the cheery era of the Keystone cops. Reviewing Pictures on Broadway (Continued from page 22) letters, which, of course, are uninteresting. The Big Films Dictures like "The Black Pirate," "The Big Parade," "La Boheme," "Stella Dallas," "The Gold Rush" are not only an entertainment to the writer, but also an inspiration in writing of them. There are, it is true, numerous other bright spots m a critic's life that come on at the regular change cinemas. Poor ones come along like poor plays, but there are more of them than the stage efforts. And even if a picture be wearying, so long as it contains a glimpse of originality here and there, the review of it can be approached in a humble and hopeful mood. You dont have to wiggle on your seat and look at your typewriter and wonder, after all, if you could not do better with a pencil or a pen and ink or mayhap an old-fashioned quill. No matter whether it is a delightful spring day, or a blizzard is blowing, or it is as hot as Yuma in the summer, you always find plenty of persons in the mo tion picture theaters. Sometimes you wonder why the people dont go out oi town and on other occasions you wonder why they dont stay home. When I take my seat (to work) in a picture theater, I have a hope for comparative quiet, and, as a rule, I get it. But now and again one is bothered by prattling patrons or sighing fat men and women who seem to be more stirred by pathos than by the comedy. One afternoon I found the theater pretty crowded and during the screening of the feature one small boy became so excited that he jumped up once in a while and came down on my foot. Above me was another of his ilk who sat with the toes of his shoes quite near my neck. But taking it all in all, I have enjoyed the youngsters in a theater because of their buoyant spirits. There was nothing more inspiring than the children's laughter at "Peter Pan" and "A Kiss for Cinderella," which were presented during the Christmas holidays. (Continued on page 77) 74