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THE CELLULOID
CRITIC
Clara Bow and Ernest Torrence make "Mantrap" a picture of enjoyable moments
Richee
Florence Vidor has been elevated to stardom. In
her first stellar role she appears as a Russian dancer
in "You Never Know Women"
"Padlocked" is one of the most forceful and honest pictures
that has graced the screen this season. These players,
Charles Lane and Louise Dresser, are members of a strong
and well-balanced cast
50
THAT the Germans can dance as well to the tune of light opera as they can weep over tragedy is proved with "The Waltz Dream." If memory serves correctly, this is the first time that something light and amusing has emerged from the UFA studios. Heretofore, heavy drama has stalked across their sets. This new opus is an adaptation of an operatic piece that was presented on the American stage several years ago. As plots go, it doesn't get away from a familiar pattern — in that it is nothing more or less than the ugly duckling theme. The mythical kingdom background is employed — and against it a Graustarkian type of princess indulges in romantic flights and is made over into a queen of beauty. This occurs after she has tasted a bit of Viennese life.
Sophisticated Touches
HThe piece has a sophisticated flavor — noticeable in the scenes prior to and immediately following the marriage ceremony. The princess (played with creditable spirit by Mady Christians) has her heart set on the Archduke. But this discriminating son of royalty catalogs her as impossible. As a result, he wishes her off on his friend, a gay young count.
The latter, however, unconsciously brings out the best in the girl. Under the influence of wine the princess displays some personality. But she reverts to her impossible ways when she marries the youth. He is forced into the ceremony because his kisses are as sacred as an engagement ring.