Motion Picture Story Magazine (Feb 1914 - Sep 1916 (assorted issues))

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Established 36 Years Pall Mall Electric Co., 128 West 34th St., New York SPECIAL OFFER SCENARIO70 WRITERS Why pay $1.00 to have one photoplay typewritten, when WE will typewrite all the plays you care to send us in one month for only $1.50 THIS OFFER EXPIRES MARCH 31, 1914. This is the best offer ever given. Those who take advantage of this offer now will receive a 10 per cent, discount on all work done by us within one year. You may never get another chance like this to save money. NOTICE Where carbon copies are wanted, a charge of $0.25 is made for each copy. This is the only extra money you will have to pay. YOU MUST FURNISH YOUR OWN STAMPS. Send in your money to-day and have your name registered. Send this advertisement. THE SCENARIO TYPEWRITING CO. 6346 St. Lawrence Ave., Chicago, III. I will send for a short while only, my 25c. book, Improve Your Face For 10c, stamps or coin. This book contains a complete course of instructions in Physical Culture for the face. More than 90,000 persons are following these instructions to-day. They will do more to build beauty than all the paint and powder in the world, for they get right at the root of your facial defects and overcome them. Not simple or silly. Just Physical Culture applied to facial muscles ; common sense, that's all. If you want to improve your looks, send 10c. for this book to-day, at once, while it's on your mind. PROF. ANTHONY BARKER, 5390 Barker Bldg„ 110 W. 42nd St., New York City Motion Picture Magazine A Sales-Producing Medium Doris Mac. — Fraucelia Billington in "The Fraternity Pin'' (Majestic). Florence LaBadie was chatted in January, 1913. Rosemary Theby was Carmencita in "Ashes" (Reliance). Gertrude Robinson had the lead in "Her WeddingGown" (Biograph). Henry King in that Kalem. Two Bobs. — Irene Warfield in "The Great Game" (Essanay). Madame Claudia in "Zama the Gipsy" (Cines). Dont know the color Blackwell's car is painted. You and many others seem to think that this is a joke department, but, I assure you all, it is no joke. The Sun. — Just send the questions on to me, or tell your readers that we answer all questions. Yes, and some of the questions they ask are beyond me — far beyond, in the hazy, distant, unfathomable beyond. Lattnce. — Clarence Elmer was Harry Lane in "The Engineers Revenge" (Lubin). Guy Coombs' picture will come soon. I appreciate your novel gift. Whoever hammered that dime into such a beautiful stickpin? Carlyle Joyce. — Lillian Gish in "During the Round-up" (Biograph). That's the wrong title on that Yitagraph. Louise Glaum in that Kalem. Harry Millarde was David in "The Hunchback" (Kalem). LETTERS TO THE EDITOR Our new, enterprising advertising manager and the editor of this department will certainly come to blows if that gentleman persists in using up all the space that the editor intended for this department. We have accumulated many interesting letters from our readers, and it is with pleasure that we here publish them for the edification of all. Mr. Fred J. Somerton writes us from 15 Grey Street, Gisborne, New Zealand, to say that Mary Fuller and Maurice Costello are his favorites, with Clara Young a close second to Miss Fuller. Mrs. Henry Locker, of Hopkinsville. Ky., writes to protest against the "eternal sex problem" plays. Mr. Phillip Brown, of 250 Broome Street, New York, says that he was not aware, until he saw a recent film, that they had baker unions in the Middle Ages, and that the unions required union labels to be pasted on their breads ! Mr. W. H. Price, of the JEolian Co., writes us some good news : It may interest you to know that a friend of mine who is engaged in downtown church work in Manhattan, tells me that within a very short distance of one of these churches seven saloons have been put out of business by the Moving Picture shows. A New York writer, who signs himself "Broadway," seems to be unusually intelligent and keen. Judge for yourself — here is his letter : After several months as an interested and admiring reader of your magazine, and especially of the Answer Department, and after years of following the Movies, I would like to relieve myself of some accumulated ideas by bursting into print. I think that the subject of the so-called educational and moral films, in which some of the producers seem to take an inordinate pride, is open to considerable discussion. Here the film is analogous to the stage. Many plays of this nature fail, because