Motion Picture Story Magazine (Feb 1914 - Sep 1916 (assorted issues))

156 MOTION PICTURE MAGAZINE Lincoln C. P.— Louise Huff was Barbara in "The Hazard of Youth," and she played the lead in "Between Dances" (Lubin). Pinkie.— Vivian Rich was opposite Warren Kerrigan in "The Scapegoat" (American). Mary Charleson in "The Mystery of the Silver Skull" (Vitagraph). Joliet— Jack Standing in "The Depths of Hate" (Pathe). Harry Millarde in "Her Husband's Friend." Earle Metcalf was the detective in "The Question of Right." Harold D.— Crane Wilbur and Mr. Bumel had the leads in "The Second Shot" (PathS). Melies are releasing a new brand of films, "General," and they will be dramas and comedies. They are done with foreign educationals. Joseph K. — You may ask all the questions you like, and they will be answered, if they are not against the rules. The sea-otter is the most costly fur. Arizona. — Send ten cents to our Photoplay Clearing House for a sample scenario. A. Moreno was the sweetheart, and Dorothy Gish was the girl in "The House of Discord" (Biograph). Eclair are located in Arizona. Scotch Lassie. — Dont Em Gorman is known as the Biograph Baby. She played in "Oil and Water" (Biograph). Gold ye, 17. — I am no relation to Bert Leston Taylor, of the Chicago Daily Tribune. Thanks for the clippings. A ton of gold would measure about two cubic feet. Bessie R., Baton Rouge. — Ethel Clayton is still with Lubin. It is more blessed to give than to receive — my address is 175 Duffield Street. Elaine H. W. — Francis Ford and Grace Cunard in "The Battle of San Juan Hill" (Bison). J. W. Johnston in "The Reformation of Calliope" (Eclair). Alec B. Francis in "For the Honor of Lady Beaumont" (Eclair). Marie, Bronx. — Clara Kimball is not Mrs. Costello. Yes, send along the soap if you wish, and I will try it. Francis Bushman was chatted in February, 1D12. In marriage, one and one are supposed to make one, but the trouble comes in determining who is that one. That is why they call a marriage a feast in which the grace is better than the dinner. Omit marriage and love from the films? Zounds! G. A., Ontario. — Joseph Singleton was Dr. Lynn in "Michael Arnold and Dr. Lynn" (Rex). Matt Moore was Tom in "The Romance of a Photograph" (Victor). Norma Talmadge's picture appeared in March, 1913 ; June, 1913, and December, 1913. Bonnie Sweet Bessie. — You think Ford Sterling is the best comedian, but there is nothing small about Bunny? I agree with you. Rosemary Theby is with Lubin. Yes. C. W., Queensland. — Your letter is very interesting. Always glad to hear from you. The play is too old to be resurrected. Edith B. B. — Motion Pictures are not usually taken at night, but interiors are sometimes. Perhaps Pathe Weekly will take those scenes. Percy T. — Harry Gsell was Norman in "A Grateful Outcast" (Crystal). O. A. Lund in "Into the Wilderness" (Eclair). Julia Stuart was Mrs. Fitzmaurice in "Into the Wilderness." Lindsay Hall was his classmate in the above. Patricia of K. C. — Helen Holmes and Lee Maloney in "The Runaway Freight" (Kalem). Noah Beery was the crook, David Gallery was Bat, Marin Falls his wife, and Adelaide Lawrence his child in "A Child's Influence" (Kalem). Martha F., Scranton, O. — Irene Wallace had the lead in "Bleeding Hearts" (Imp)*. Marguerite Snow was She in "She." Yes. That's the wrong title for that Kalem. Mary Jane.— Marguerite Courtot was the girl in "The Octoroon" (Kalem). Very nice letter you write about her. Her picture in September, 1913. Frank Bennett, of Western Vitagraph, has come East. Harriet Notter was Elsie, and Ethel Pierce was Marie in "An Equal Chance" (Selig). (Continued from page 120) refreshment of the memories that lie our producers are even now considerwithin its precious folds. ing educational departments. The members of the boards of edu Even Uncle Sam is adding to the cation thruout the United States are educational quota of films. He has, encouraging Young America's love among others, an educational film for Motion Pictures. Educational showing the progress of honey manu Motion Picture work is promised in facture, from the time the bee leaves the public schools. At present there the hive in search of blossoms until it is not a definite course of Cinemato returns and deposits the nectar in the graphic instruction to supersede or comb. supplement the text-books, but sys Motion Pictures and Young Amer tematic effort will soon overcome this ica — both are essentials to the future condition. While educational pic development and broadening of the tures are few, they will increase, and country.