Motion Picture (Feb-Jul 1929)

for fprainf j and I bruheii relieve pain quickly " vrbicb i»*^ , shorten ^^^^^^^fuse^vitt prevent sprain o^^'^^Yjroken, toannnin^-^-^Jeitfutt ' gtrengtb. " eUa^^«*^" ^-^^"^Ttrearex-any uses for Absor^^^^^^. tbe borne an^g^g. .Ung.Re^tsendforfree S''''"lB;itleand''Time. lySuggesUoUS. A Little Lauder— and Funnier {Continued from page 74) the young Quillans hounded him to pave the way for movie tests in Los Angeles. The genial old Scotchman had no idea there would be any difficulty. The first day the troupe was in town he went out to Sennett's and told the comedy king he had some kids who wanted to work in the movies. Sennett said he wasn't interested. He said more than that. " Look here," thundered Quillan pere, "I'm a good Scotch-Irishman and you're a good Scotch-Irishman and I think you ought to give the kids a chance." The appeal to his patriotism must have licked Sennett and he consented to test the Quillans. According to the P. A., who was still carrying on the story during Eddie's absence, the test was terrible. Both Eddie and the old man had told him how terrible it was. There was a close-up of Eddie that was a little worse than anything else in the film. Somebody said, "He looks like Charlie Ray." The Quillans thought they were being kidded, so they sneaked out the back way. And it took a Nick Harris detective to locate Eddie for Sennett after that. Eddie's comedy appeal in Sennett two reelers hit home almost from the start. He got so good that they decided to feature him. He was starred in a half-dozen or so featurettes, but he never reached the screen as a Sennett star, due to a little altercation between Mack and Papa Quillan. Eddie's dad loudly and forcibly objected to some of the slightly shady stuff that the gag men were writing into Eddie's scripts. He is a religious man, is the senior Quillan. For years he had kept faith with his public in good, clean entertainment and he wasn't going to sit by and watch the pride of his clan smear the family name with smutty comedy antics. GETTING THE FAMILY IN THE family was just about all set to hit out on the road again where fun is clean when Eddie got a call to make a test for "The Godless Girl." One glance at Eddie's particular brand of antics and De Mille signed him without even considering another player. They will tell you out at the studio that it was Eddie, the baby Lauder, who kept Mons. Cecil in good humor throughout the picture with his quaint laughable acting. After that came a contract with "Show Folks," and now "Geraldine," to get things off to a good start for Eddie. "My next picture" said Eddie in a brief respite from the director, "is going to be called "Noisy Neighbors" and my whole family is going to work in it." He crossed and uncrossed his legs a couple of times for no particular reason. "I guess your folks are pretty excited about working in the movies?" I inquired. "Oh, I don't know," he replied, casually. "They don't know much about pictures." You got the idea that any one who would get excited about pictures was a little screwy anyway. "It's a pretty good story, though," he granted. " It's all about a bunch of vaudevillians, like we used to be, who inherit an old Southern mansion and think they are going to settle down to a nice quiet life, only to find out they're located between two families in a feud. It's a pretty good idea," he repeated, "But I guess they'll change it before we start." I took a quick look at Eddie to see if there was a tinge of sarcastic humor underlying that last crack, but he was indifferently regarding the tip of his shoe; so I guess there In the meantime there was "Geraldine" to be finished and the director was calling for him again. " I guess I've got to work" he apologized. I surmised as much myself. He shuffled his feet a couple of times and then shook hands. He said he was glad to have met me. I was glad to ha^'e met him too. Two pedallers who are not barred from the precincts of Hollywood studios: Herbert, the simian speed demon; and Alice White who, on a velocipede at least, is not so slow herself