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In My Mirror
[Continued from page 51]
ing fragrance which is delightful. In fact I have gone a step further. In my bedroom, and in my library, too, I have painted the underside of little cigarette tables and end-tables with it, so that the minute you step into these rooms, you catch a dainty whiff of the heliotrope. Incidentally, one coating of the lacquer remains fragrant for months.
Speaking of fragrances, one of my favorites has always been the soft, delicate scent of baby powder. It gives you a fresh, dainty fragrance. Many men I know object to strong, overpowering perfume — so if your man is that type, try a little baby powder on him !
As for skin treatment . . . my skin has always been very fine and delicate and sensitive, so I have never been able to use harsh towels. I use absorbent cotton to remove my cleansing cream and to cleanse my eyes. I also often use cotton to apply powder and rouge.
One thing I have always had against a long, full bob, is that the back of the neck is so often neglected because of it. For this reason I have made a little law for myself. I never wash my face with soap and water or cleanse it with cream, or apply nourishing cream, without first pinning up the curls at the back of my neck — then I have no excuse for not giving my neck the same treatment.
MY beauty paraphernalia consists mostly of brushes . . . strangely enough. There are two hair-brushes (which I use at the same time, one on each side of my head, thus cutting my brushing time in half), two tooth brushes, which I use alternately, an eyebrow-brush, a mascara brush, a lipstick brush, a complexion brush, a powder brush for blending the powder, a scrub brush for my nails and hands, and a back brush for my body ... all probably familiar to you except perhaps the lipstick and powder brush. My powder brush is round and soft, and after I have powdered generously, I use it in a quick circular motion, to remove the excess powder and to blend the face powder with the rouge, and to see that the powder is carefully applied in those two indentations at either side of the nose.
As for the lipstick brush — well, I used to envy the way actresses applied their lipstick with such art that it always covered their lips evenly, even into the corners. And then, when I went on the stage I discovered the reason. They — almost all of them — use a small camel's hair brush for applying lipstick. This enables you to draw the lipstick in a very fine line, right to the corners of the mouth. You know I even carry a small one in my hand-bag. If you try to use such a brush, remember to keep it clean and smooth by soaking it occasionally in olive oil.
When people ask me how I keep my hair so glossy, and so alive-looking, I usually just answer that "I hate hats !" It's true I seldom wear them, and it's my main secret for hair beauty. Plenty
of fresh air and sunshine will do wonders for your hair. Hats that are worn too tight tend to smother the hair by taking the elasticity out of it.
I have several special little problems about making-up, and also about jewelry— which you and I may have in common. And perhaps my solution to these problems will help you. First of all, my face is rather round and broad, so to give it a longer, more oval appearance, I wear my hair off my forehead. Bangs or waves, placed low on the forehead, just aren't becoming to me. Also, for this reason I never wear rouge spread out far on my cheek-bones, but keep it well in toward my nose. If you do arch your eyebrows, keep them quite high to add length to the face.
Since I also have quite a short neck and broad shoulders — these two things, strangely enough, usually go with a round face — I cannot wear long earrings, for these only emphasize the shortness of my neck. Neither can I wear short-length, choker beads, for these have the same effect. Small, turban-shaped hats, or hats with small brims that can be turned up away from the face, are also more becoming than large hats with droopy brims.
Incidentally, if you are going to show your ears, or call attention to them with earrings, it is well to give them a little extra attention. Cold cream makes them smooth and youthful. And here's something I have discovered. There is a cuticle cream that I use on my hands which is a pale pink shade. Occasionally I dab a bit of this on my ear-lobes to give them that "shell pink look."
Make-up for hands is something that should receive more attention than it does. All of us have made manicuring pretty much of a habit, but how often do you cream your hands and powder them? You may think of this when togged out for the evening, but why not make a daily habit of it? As a matter of fact, it is when you go dancing that you should not powder your hands. But, if you are going just to dinner, or to the theatre, you can use a good liquid powder on your hands — in a shade to match your own skin.
This is the way you apply it: After washing your hands with soap and water apply a bit of cleansing cream to soften them. After you remove the cream with tissue, apply a bit of good hand lotion, and then apply the powder.
One of the most important parts of any beauty routine, is that last minute check-up before going out. And a last look in the dressing table mirror is not enough. Face facts clearly by daylight, too . . . examining your make-up critically, in the strong light at the window. And don't ever go out wearing too much make-up, or too much perfume, and excusing it with the thought that "Well, it'll all wear off after a little while!" Remember that you may meet your "future" right outside your own front steps !
78
Motion Picture for ^August, 1935