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. 3&Em
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[Continued from page 50]
and there and also worked a day now and then when the operators took a day off. But since this didn't seem to be a very successful way to make much money, one day I took my railroad pass and went to NewYork hoping I might make some phonograph records. Shucks, I certainly found I had bitten off more'n I could chew."
Drawly-voiced, quiet, and modest, Gene made the rounds of phonograph recording companies, but without success. No one would give him an audition, and he was about ready to hit the grit for the wide open spaces where men are men whether they can sing or not when he suddenly hit upon what he considered a very brilliant idea. Which it was eventually !
"I went down to the Victor Company," he says, "and sat in the reception room for three days a-running hoping to be heard. Toward the end of the third day I got tired of waiting and took my guitar from its case and began to sing and play, and pretty soon a nice looking girl came along and said Air. Art Satherly was ready to give me an audition. After Mr. Satherly heard me he said I wasn't quite ready and for me to go back to Oklahoma and get on a radio program.
"Well, shucks, it was pretty easy with Mr. Satherly's help, and I got a radio job in no time and broadcasted for a year from station KVOO. I was known as Oklahoma's Yodeling Cowboy. Whenever I wasn't yodeling I was working for the Frisco Railroad. Finally, I got tired of doing both so went back to New York to see what could be done about recording in the big city. Sure enough, this time I was ready and I made records for Victor, then signed a contract with the American Recording Company to whom I am still under contract for records."
TN jl n
records for a year he went on an early morning program for Sears-Roebuck, at thirty dollars a week. Two weeks passed. Then his fan mail began to pour in, and in such large amounts that the contract was torn up and a new one signed. Station WLS kept the cowpoke from Texas on this early morning broadcast daily for four years after which he went on the National Barn Dance show as star and master of ceremonies.
In 1934, the president of Mascot Pictures, Nat Levine, went to New York to find a singing cowboy. Mr. Levine, in the course of his inquiries, finally met Art Satherly, and Art it was who suggested Gene. The first meeting between the producer and the cowboy crooner resulted in a one-picture contract. The picture was a Ken Maynard western titled Old Santa Fc in which Gene did a barn dance sequence. When the picture was finished Gene returned to Chicago and his Barn Dance program. But not for long because when Old Santa Fc was released, its reception was favorable enough for the studio to bring him back to Hollywood to co-star with Frankie Darro in The Phantom's Empire, a serial. In December of 1934 he made his first musical western, Tumbling Tumblcivceds, a picture that definitely established him as a musical cowboy with a great celluloid future.
He's scheduled to make eight pictures next year and will start immediately upon his return from his personal appearance tour.
The late Will Rogers was one of Gene's closest friends. These two met when Gene was working for the Frisco Railroad in
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