Motion Picture (Aug 1940-Jan 1941)

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-Y ,N THE GREAT TRADITION OF H,GH ROMANCE ■NECOWIOF 1934 THtSONOF j MONTE CMSTO 1940 A coach hurtles through the night, its frightened coachman lashing his horses' lathered flanks. Jeweled fingers touch the curtain of a window. A beautiful face peers into the threatening night. The gallop of pursuing hoofs. The sound of shots. The iron tyrant's iron men are closer, closer. The crash of wood ^M^^B^fc^^^ on wo°d as die coach of Her Highness Zona smashes against/^pSPK'^^'V^'a tall tree ... Is her cause lost? Is the cause of romance, of love again to lose to the mad might of ruthless power . . . No . . . the Son of Monte Cristo . . . gallant son of a gallant father . . . leaps from his saddle, takes the lovely lady in his arms f "'fi* • • ar>d die fight is on . . . the spirit, the glory of the grandest story of all -f V romance lives again. M Edward Small, producer of such thrilling romances as "The yl^ Man in the Iron Mask" brings in glowing, thrilling splendor to the screen, the sequel to his famous screenplay, "The Count of Monte Cristo," the even grander romantic adventure . . . Edward Small presents LOUIS JOAN HAYWARDBENNETT THE SON OF MONTE CRISTO FLORENCE BATES MONTAGU LOVE