Motion picture acting; how to prepare for photoplaying, what qualifications are necessary, how to secure an engagement, salaries paid to photoplayers ([c1913])

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MOVING PICTURE ACTING on whom Nature has bestowed this asset will find it an advantage. It is quite apparent that large features have more strength or carrying power. Their expressions can be clearly read even in the farthest corner of any room where the changing moods of small doll-like features would hardly be discernible. Large dark expressive eyes are a special asset. In fact, the "windows of the soul" are the strongest medium of expression within the control of the photoplayer. Both blondes and brunettes, fair and dark com- plexions, are engaged in picture playing, but the latter are given the preference since it has been found through experience that except in rare cases the brunette photographs better for the screen. A normally healthy person possesses the physical development of his age, height, etc. No more is re- quired, though it is obvious that physical exercise would enhance and strengthen this development. Closely akin to the subject of personal appear- ance in general is the question of beauty, which may well be called a coveted possession, but a dangerous weapon in the hands of those endowed with no other qualities. Attractive features are an asset, of course, but do not be obsessed with the idea that beauty is essential or necessary. There are few young men who cannot be said to present a good appearance and few young women who are not pretty to a degree, but on the other hand there are very, very few who can boast of remarkable 30