Motion picture acting (1947)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

HOW TO VISUALIZE A ROLE What about all the things his heart tells him he should fight for?" He answers, cynically, "He doesn't think with his heart," and puts it straight up to her to tell him what those things are that this man should go on fighting for. He challenges her with, "Tell me—just a few." She replies, "All right. I'll try . . ." Then, she hesitates for a second, searching for words to de- scribe what England means to her. She doesn't want to be dramatic, that will only make him more cynical. There must be no flag-waving. She admits the difficulty in finding the right words when she says, "If anyone asks me what England is, he robs me of an answer—because everything it is can't be spoken about—and if you do, it's like pulling a flower apart to analyze it." She speaks of the obvious things that any tourist would know about England—"Shakespeare, and thatched roofs, and the countryside"—and says, in effect, "If I told this man that is what England is, he would laugh." She is making an effort to keep what she is saying light and unemotional; but, in spite of herself, when she speaks of "those cliffs over there—" a deeper, more serious tone comes into her voice. It is from over there the invasion will come— 113