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If it’s a
paramount
y*ictur&
it s the
best show in town
— best in plot, presentation, staging, starring, dressing, laughs, thrills, pathos, everything,
— best because it is made up to a standard and not down to a price,
— best because the organization behind it is great enough to draw on the best talent of every kind in America and Europe and co-ordinate it to produce a perfect photoplay.
If you are a real fan you know a real photoplay, and the way a real fan can pick out a Paramount Picture just by seeing a few hundred feet of it in the middle is the biggest tribute to quality a film can have.
Watch the panel alongside for Paramount Pictures and watch your theatre’s announcements to find out dates of showings.
Check it up for yourself, anytime, anywhere, that if it’s a Paramount Picture it’s the best show in town.
Sept. 1, 1921, to Jan. 1, 1922
Wallace Reid in "The Hell Diggers” By Byron Morgan.
Gloria Swanson in Elinor Glyn’s "The Great Moment”
Specially written for the star by the author of “Three Weeks.”
Betty Compson in “At the End of the World”
By Ernst Klein
Directed by Peprhyn Stanlaws.
"The Golem”
A unique presentation of the famous story of ancient Prague.
Cecil B. DeMille’s "The Affairs of Anatol”
By jeanie MacPherson Suggested by Schnitzler’s play With Wallace Reid. Gloria Swanson, Elliott Dexter, Bebe Daniels, Monte Blue, Wanda Hawley, Theodore Roberts, Agnes Ayres, Theodore Kosloff, Polly Moran, Raymond Hatton and Julia Faye.
Elsie Ferguson in "Footlights”
By Rita Weiman Directed by John S. Robertson.
Thomas Meighan in "Cappy Ricks”
By Peter B. Kyne.
George Melford’s "The Great Impersonation”
By E. Phillips Oppenheim Cast includes
James Kirkwood and Ann Forrest.
A George Fitzmaurice Production "Experience”
With Richard Barthelmess as "Youth” By George Hobart.
William deMille’s “After the Show”
By Rita Weiman; cast includes Jack Holt, Lila Lee and Charles Ogle.
Ethel Clayton in William D. Taylor’s Production, "Beyond”
By Henry Arthur Jones.
William S. Hart in "Three Word Brand” A William S. Hart Production.
George Loane Tucker’s"Ladies Must Live” With Betty Compson By Alice Duer Miller.
“The Bonnie Briar Bush”
By Ian MacLaren A Donald Crisp Production.
George Melford Production, “The Sheik” With Agnes Ayres and Rudolph Valentino From the novel by Edith M. Hull.
Jack Holt in “The Call of the North” Adapted from "Conjuror’s House”
By Stewart Edward White.
Thomas Meighan in "A Prince There Was” From George M. Cohan’s play and the novel, "Enchanted Hearts” By Darragh Aldrich.
Ethel Clayton in "Exit — the Vamp” By Clara Beranger.
Wallace Reid, Gloria Swanson and Elliott Dexter in "Don't Tell Everything” By Lorna Moon.
Gloria Swanson in "Under the Lash” From the novel "The Shulamite”
By Alice and Claude Askew.
A William deMille Production "Miss Lulu Bett”
With Lois Wilson, Milton Sills, Theodore Roberts and Helen Ferguson.
From the novel and play by Zona Gale.
Betty Compson in "The Law and the Woman” Adapted from the Clyde Fitch play "The Woman in the Case”
A Penrhyn Stanlaws Production.
Ask your theatre manager when he will show them