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Flashes From
They twinkle in the East as
THE Eastern studios have revived in a gratifyingdegree, and their activities bid fair to rival the great Western enterprise. Someone is always getting up the excitement that the bulk of production is shifting eastward and that eventually New York will be the center. Be that as it may, the indubitable fact remains that a great many pictures are being made right now in and around New York.
Georges Carpentier, the French demi-grd prizefighter, has started to work on a picture in London for J. Stuart Blackton, American pioneer filmsman and producer of “The Great Adventure” with Lady Diana Manners. The picture is a costume comedy of the period of 1750, with Carpentier playing the dual role of a young and aristocratic dilettante and a picturesque vagabond.
Richard Dix and Mae Busch are also giving old London a treat by their presence. They are making “The Christian” for Goldwyn, supervised
Photograph by Personality Press. L. T. D., London
Above, Maurice Tourneur, Hall Caine and Goldwyn executives looking after the production of “The Christian.” Left, Georges Carpentier and his new manager, J. Stuart Blackton. Below, Clara Bow objects to being murdered at close range. Scene from “Down To the Sea In Ships.” Bottom of page, members of the Triart Productions Company snapped during the making of “The Bashful Suitor”
Alice Brady is making “Anna Ascends,” having just finished “Missing Millions” at the Famous Players studio on Long Island; Marion Davies has just completed “When Knighthood Was In Flower” for Cosmopolitan Productions and is already started on “In Little Old New York”; Betty Blythe is screening “How Women Love” at the Whitman Bennett studios in Yonkers ; Will Rogers is finishing “The Legend of
Sleepy Hollow,” practically all of which was taken up at the historic old Tarrytpwn -on -theHudson; the Kenma Corporation has started work on “Dorothy Vernon of Haddon Hall” with Madge Kennedy; Hope Hampton is filming “retakes” at the Paragon studio over in New Jersey for her forthcoming production, “The Light In the Dark”; Elmer Clifton has just about finished “Down To the Sea In Ships” up at New Bedford. Massachusetts; at the old Biograph studios, the last scenes of “What’s W r o n g With Women” are being shot ; Dick Barthelmess is in the midst of his fourth picture for Inspiration Pictures, “Fury”; Triart is making the fourth of their great series, “The Bashful Suitor”; and so it goes.
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