Motion Picture Classic (Jan-Dec 1916)

MOTION PICTURE DO YOU WANT TO KNOW HOW TO DEVELOP VITALITY, ENERGY, ENDURANCE, NERVE STRENGTH, MUSCULAR STRENGTH, PERFECT PHYSIQUE? My FREE BOOKS, “The Whys of Exercise” and “The First and Last Law of Physical Culture,” tell you, if you are weak or underdeveloped, how to grow strong: if strong, how to grow stronger. They explain how to develop lungs and muscle, the strong heart and vigorous digestion — in short, how to improve health and strength internally as well as externally. Send TO-DAY— NOW— for these FREE BOOKS. Enclose 4c. in stamps to cover postage* PROF. H. W. TITUS 56-58 Cooper Sq. Dept. 250 New York City 15he Photoplaywright’s Primer By L CASE RUSSELL, author of “here lies” The Cleverest Book Ever Written! The First, Last, and Most Authoritative Word on the Biggest Subject Today is fresh from the facile pen of L. Case Russell, author of the famous little “Here Lies” book (which has outsold all other similar books three to one) , and just off the press As Important as your Dictionary / tJThis book covers every phase of photoplay writing in such a complete and novel way, as to be almost amazing. It is as useful to the past master as to the beginner. Not a Re-hash —Nothing but New Ideas Contains All the Points , and only so cents a copy qit is printed in large type, 64 pages, size 4%X7>a, with numerous illustrations. ^Mailed to any address on receipt of fifty cents in one cent stamps or a fifty cent piece. (If the latter, it should be carefully pasted to letter or wrapped so that it will not cut thru the envelope.) For sale only by M. P. PUBLISHING CO., 175 Duffield Street, Brooklyn, N. Y. PHOTOPLAY WRITERS. ATTENTION ! you know where to send them ? If not, send 10c for a three months’ trial subscription to the “Photoplay Bulletin.” This paper is devoted exclusively to th * writing and selling of photoplays. It (outains special hints, what to write an l what to avoid, model photoplays, latest market, etc. Send 2c for sample copy. CLARE DENNISON, DETROIT, MICH. TELL ME YOURFOOT TROUBLES It will ease your Mind; I will ease your Feet. Enlarged Joints Reduced and Toes S'raipKtened by ACHFELDT’S “Perfection” TOE SPRING Worn at nlfdit without Inconvenience, with auxiliary appliance* for flay use. Sent on approval. Money refunded if not a* represented. I’m* My Improved Arch Supporter for “ Flat Foot" ami broken down iiiHtep. Send outline of foot. Full particular* and advice free in plain Mealed envelope. M. ACHFELDT, Foot Specialist DEPT. K.E. 1328 Broadway, at 34th St.. (Marbridife Buildinu). NEW YORK Children of the Screen ( Continued from page 21) THESE ARE GROWN-UP CHILDREN — “LEVY’S SEVEN DAUGHTERS GEORGE STONE across his knees and to have told him giant and hobgoblin tales. And, oh ! how still he would sit and how those starry eyes would shine, just like a glow-worm in the night ! Bobby is a remarkable little bundle of bronzed, wavy hair ; big, soft, brown eyes that suddenly light up electrically, and a pouting, good-natured, whimsical mouth — all set upon a sturdy little figure. He is absolutely unspoiled and not a bit self-conscious. When scenes are being taken before a crowd and the actors become temperamental, Bobby is as unconcerned as if at home in his playroom. He has a tremendous respect for his director, and when his eyes are not watching his mother, who is his “coach,” he is following every move of the man behind the camera. Surely every one knows the pictures that Bobby made famous — the fun, the frolic, the pathos of “Sonny Jim” have made him a screen immortal. Bobby sheds real tears in the pathetic parts, but frankly confesses that his mother “has to get him started.” In a way the children of the screen are “gods set apart” ; they are born with stage feeling, are precocious far beyond their years, and often earn larger salaries than most grown-up actors. Few that I have ever met are cursed with “stage manner”; they are artless, cuddlesome, roguish, tireless — just like other kids. Lack of space, not lack of interest, forbids a review of all the dear pageantry of the children of the screen. There are Clara Horton, Carmen De Rue, George Stone and tiny Zoe Bech, Kathie Fischer, Catherine Lee and fairy Mimi Yvonne. We can hear their treble voices at the rollcall of their names. And every now and then some beautiful, dazzling child flashes on the screen before us and is gone, unknown. Either the poverty or modesty of their parents keeps them anonymous. Like the butterflies after whom they are fashioned, the child life of screen children is short and full, and then they pass on — little shadow creatures that we used to know and love only in fairy books. ( Seventy )