Motion Picture Classic (Jan-Dec 1920)

Record Details:

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By HkHDtklCK JAMES SMITH yc"ii> |)laccs to (lance. 'I'luii California beciinics dreadfully tiresiimc. Thai tears came lo her eyes — real tears — when she talked of Elliutt Dexter and tlie way his sndden illness had held hack his stellar career in the *^lms. Hut to interrupt our findings to turn to \\>eightier things : "Tell me I look \ijunger olif the screen," commanded Gloria. We saw our duty and (lid it. "Exactly how old am I ?" she insisted. We [)arried, realizing \\c were on e.xceedingly dangerous ground. Finally, jiushed to the wall, we hazarded, "Twentytwo." "Twenty-one," said Miss Swanson, in triumph. "You just pro1' -ted when I said I In't want to go on . Miiping or semi-vampiiiLjon the screen. W'hy ?" ■' Because," said we, trying to take our editorial mind from Miss Swanson's eyes, "you're ^o vmcannily seductive. Must vampires leave us cold, but ..." "Yes," aided Miss .S\\ anson. "You are exceedingly er--effective." .\t that psychological iiiument we arrived in front of the .\stor. We sighed with relief Once inside, Miss Suanson attacked a healthy-sized luncheon with fervor. .\ waiter attempted to remove the ctress' orange-juice before she had finished — and she well igh withered him. Right then and there we decided that Miss ■wanson might easily speak out her mind. In fact, she did. Between orange-iuice and soup and chops. Miss Swanson ■told us more of herself. The daughter of an anny officer, she received her education everywhere. "It was a terrible handicap." she said, "my education stretching from Chicago to Porto Rico. "I first tried pictures with Essanay in Chicago and then I ent to the coast. There I was with Triangle and later joined ack Sennelt's comedies. But I wasn't a bathing girl. I ever — -never — was. Please get that into your interview, wont lyou ?" We promised. (Seventeen) Photograph © by .MtroJ Cheney Johnston "I live for today," says Gloria Swanson, "anti I try to get every bit out of It. I dont believe in waitini, for tomorrow. Life is too short for that." That sums up her philosophy of life in general "We did a series of juvenile comedies in which I had a leading r(ole. Then Mr. De Mille gave nie my chance in drama. That's all. As I never cared for comedy and my whole heart is in dramatic work, you can guess how hard I worked to make good with Mr. De Mille." We asked Miss Swanson to tell us her philosophy of things in general. "I live for today," she said, ''and I try to get every bit out of it. I dont believe in waiting for tomorrow. Life is too short for that." Then our interview drifted until, like all interviews, it came (Continued on page S3)