Motion Picture Classic (Jan-Dec 1920)

CLASSIC Beatrice from Paree (Conlinued frcin page 33) the quick, decisive movements characteristic of her. "Anyway. I jiicked up some little F.nglish, and thoufjht of (lictures. I had exactly one hundred dollars, and I thought until that was gone — I should have a worry — so (Iloria Svvanson and I took a house — it cost eighty-five dollars a month — can you imagine that ? — and I got down to three dollars hy the clock. "Ciloria introduced me to C. B. de Mille, hut he didn't like me — couldn't see me for dust" — she emphasized with a candor typically (iallic and a slang typically .\merican — "hut 1 got in tlie ^Iadlaine Traverse picture, 'Rose of the West.' and then Rill Desmond engaged me for 'Dangerous Waters.' "Then I had my first real chance with .Sessue Hayakawa in 'The I'leg.gar I'rince,' and after that I was featured in 'The .'stranger.' " "And now?" I (|ucried, as she drew hrealh. Her tip-tilted hose wrinkled slightly. "I have a contract with I'athe for onereel comedies." she said hriefly. "They tell me it is good experience," she added, with a resigned shrug of a slim shoulder. "And no doubt that is the truth ; hut I waiit to cry, to make the emotion — to make big name for nivself — and then I am push off barns and hid under tiger-skins — can you beat it 'l" I sympathized, but Beatrice's lightningchange mind was already on another sirliject. "When you describe me," she .said earnestly, "dont say my e3'es are like deep jiools of muddy water or that my lip.s are like Cuiiid's how — just say that when (iod made curly hair. He left me out; I have to put it up in curling kids at night, anil I feel like I sleep on marbles." Her plaint was real enough, but there was a glint of laughter in her eyes. It is impossible for her to take anything seriously— even "slee()ing on marbles." As a matter of fact, I hadn't had time to consider whctlier she was beautiful or not. Her startling brown eyes, which 'ire liy turns na'ive as a child's and .sardonic as those of a woman of the world, her flexible eyebrows, u hich move with every change of expres'sion. her lips turned up slightly at the corners as if she were forever on the verge f)f a laugh — perhai>s at your expense — her whole vivid jiersonality. combined with an am.Mzing frankness and a delightful sense of hiuuor. entirely cajitivate one .and put the (|ucstion of mere beauty into the mental background. Her I-'.nglish vocabulary has been acquired from a hunflred .sources, not all of them pedantic. She catches up every slang jihrase with the avidity of :\ child and swears upon occasion with utmost naivete. "Xow. I am ready for tny costume," she pronounced, flashing a last critical look at iierself in the mirror. "There is not nuich of it— I. am a model in this pic I Cniiliiincd nil paijc 7S) fSi i-'nlll-oiir) You, Too, Can Have Sparkling, Expressive E'yes Long, thick, dark eyelashes and well-formed eyebrows give charm, beauty and wonderful expression to any eyes. darkens eyelashes and brows instantly and makes them appear naturally long, thick and luxuriant. Applied in one minute. Perfectly harmless. Two shades, black and brown. Purchase a box of "MAYBELLINE," apply it, and you will be delightfully surprised at the wonderful improvement. "MAYBELLINE" comes in an attractive purple box which contains m irror and bfush for applying. another Mayhcll beauty aid, has long been recognized as the mo« benfficial piepamtion for nourishinn an.l P'<""7'i"« ■.^'eSJ',",'?l,c'""' of evclrishes and hrcws. "LASH-BROW-INE" =nj -MAYBELLINE arc used resulatW and hiohW recommended bv staec and screen stars and milliuns of bcaut.ful women throughout (he world. Why not you I "Mavbelline" At vour dealers "Lash-Brow-ine" I'riJ 75 Cent. " "^"'^ '"'"' "' P"" 50 Cent. NOTICETo avoid disarpcintment with imitation". aKvays look fot the picture of "THE MAYFt-SLL oIBI . ' same as below wh.ch adorns every box of ■■MAYBELLINE" and ■■( ASH-RRl1W.|NE.^' Wc assure satisfaction nr refund price. Teat out this aj now so you will not forget correct names. Maybel!