Motion Picture Classic (Jan-Dec 1920)

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C, 1090 Madlion Av».. New Yort. MOTION PICTURE ''Herb"! {Continued from page 38) anolher brother, Stanley. Stanley mingled with the English lads at the conservatoire, he with the French. Stanley was rather vague. As a youngster, Master Rawlinson showed none of the signs of being the physical culture specimen he is now. His languid condition so worried the elders that, after completing his elementary cour.se in French, tlie Isles lacking beneficial climate, a farm in Canada was designated for his future habitat. Arriving here, an adolescent, alone, without a mission other than to grow into sturdy manhood, his wonder at the vastness that was before him, his awe at the opportunities that awaited, culminated only in the greeting, "Well, here I am ! Do your darndest. I'll do mine !" That he was an actual farmer I do not conclude. All I could grasp from his unconnected, happy, rapid phrases, (Rawlinson doesn't talk in stories; he hasn't time, especially about himself), was the mention of fields and sunshine and ecstatic sensations of dogged fatigue when he came to the end of perfect days. He couldn't have been a thorobred harvester, because there were plays he'd go to see and circuses in which he wallowed. In truth, one circus absorbed such vital interest that glowing, growing Herb forsook the hay for the sawdust and ran off with another chap to join the troupe. That started it. Then came the lure of the stock companies. And one, of which he happened to be very much a part, ceased meandering for a while when it reached Los Angeles, long enough to give a moving picture director the chance to see Rawlinson and ask him if he'd ever thought of becoming cinematically entangled. Rawlinson hadn't thought, but he had a laugh. The figures financially confided by the M. P. D., that screen work would involve, choked Rawlinson's chuckle at its zenith. The comparisons of the salaries of a stock company actor and a moving picture actor weren't odious, but serious. The minstrel band next week continued its tour without its popular juvenile. That was quite a while ago. "Florodora's" sextette can claim its originals, and also the Klieg-light industry. If ever a boast is to be made, the director who spied Rawlinson need not only label him.self a pioneer, but add the laurel of having vision. It's all right to start something and better to finish. But what is more wonderful — it shows in the careers of overnight stars — is to start and not to finish. Rawlinson has come thru with this man's predictions materialized. The phenomenon is that he still is coming. And no wonder. At this season's Lambs Gambol, presented at the Metropolitan, the excitement of the evening was credited to him. Not once on the program did he appear, after a lengthy absence from the stage, but twice — in specialty numbers. It is good the first was scheduled when it was, an act, alone, ( Seventyeix)