Motion Picture Classic (Jan-Dec 1920)

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Then it is only a mailer o( pracl.ce fo acquire the weird. lastina.mg «em"o. ataccaloa, slurs and other ."e"°i that make this in.trument so delijMluL The "'"»"»" °'" J' playa any kind of music, both the melody and the accompaniment. Your tuition fee includes a beautiful Hawaiian Guitar, all the necessary picki and steel bar and 52 complele lessons and pieces ol mJJic. An Ideal Christmas Cifl. plain and easy first lesson. In Send Coupon NOW Get Full Particulars FREE First Hawaiian Conservatory of Music, Inc. 233 Broadway NEW YORK I .,„ l.,u.»..d 111 .he 1I.V«AII.IN OrlTAll PI-... ..lid ™m°wi mlonnauoiu ipalal prle. oft". «e.. M Pl..»e Wrll. Nan -..la M.P.e and AddrHS Claarty Kiikwood Confesses! (Continued from page 18) •'Vou said it! No more directing for Kiikwood, a few years l«cl<, was one .,t the coterie of popular matinee favor„ec_wlien he played opposite^ Mary rickford in ■■Behind the Scenes Just at the zenith ot his popularity he gave his admirers a heartaclie by leaving thcni Hat to direct. I-or a long tune \vc hear.l nothing of him, fnrllier than that htj would produce tliis picture or that, until Mian Dwan lured him back to the greasepaint in •• The Luck of the Irish. In the picture he played a wholehearled, manly young Irishman Kirkwtiod. lieing both manly and wholehearted, made the ch.iractenzation a page from the hook of Life. He had a hght fir iwo every twentv-five feet, and by the lime that the picture was half over yoii commenced tn wonder whether God ana human vitalilv would pull him thru Fi'diling is one of his pastimes de luxe. llaciriii the old I'liugraph days he used to astoni.sh them all by his ability in a screen free-for-all, and now that lies staged a regular film "come-back, they stiff continue to cast him as the chief purvevor of this black-and-blue drama. "I've had sonietliing like four hundred brawls before the camera," he remarked, ••and I've never put anybody permaiiciitlv out of commission. Screen fightin.'-s'a fine art. You have to hit your opl„iiu-nt so you wont crack either his make-up or bis jaw." Kirkwood. both in his make-up and off-stage is not the tvpe of. the matinee man His hair is naturally curly— »of marcelled. His teeth are all his own, and he has enough muscle to beat up a cop should he want to. Furthermore, when vouVe talking to him. he seems to forget 'that lames Kirkwo(i<i is alive. He never iiieiit"ifins himself, and it is only with the tUinost difficulty that he is made to say aiivlhing at all about his work. And, girls. be"s just a wee bit bashful! In fact. ''he blushed— visibly, even under his makc-n]! — when someone asked him if he'd ever been iiroiiosed to. Of course, he has; what good-looking screen actor hasn't? Rut it's nothing to hrag about, he adds. Rather, it's an honor to be proud of, and lie wishes it made known that he would ]ike to olilige each of the fairest fair ones, onlv That "only" is a definite reason, which it is not niv province to disclose. Suffice it to say tliat James, being a dutiful son, sujiports his mother. Kirkwood insists that he likes to do •;-ither dramatic or comedy parts. To his great credit his versatility '.■" ,-ibles liim to do one as well as the otIuT. "What are vou best in?" I asked. "Why ask me '" he rejoins. "Why ask any actor? 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