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Stages Elaborate Interviewers
a six-room cottage and doing her own work.
Quite likely there have been more adjectives used to describe Pola Negri than any other woman in Hollywood. She has been called the cleverest woman in pictures, the most dramatic, the most colorful, the most tempestuous, and a whole lot. of other mosts. It may be that all these things are true, but, above everything else she is a great actress. Her whole life is a long play, and Pola loves it, especially the handkerchief scenes. And Pola from Poland is always good for a "heart interest" story.
■'Ah, no one has had more tragedies in life than I." she sighed. She was telling of the first meeting with Prince Serge Mdivani, who later became her husband.
"It was one of those moments when life seemed darkest— when every hand seemed turned against me. I was a lost ship on a great sea. Now -it means so much not to be alone. I used to return from the studio to my lonely house. It was empty, just like my life."
Doug Is So Playful
r^ouG F.MRBANKS never tired of creating the impression '-^ of being ever the athlete. You will get him ensconced safely in a chair for an interview. By the time you are around to the first que.stion Doug, in all likelihood, will be chinning himself on the chandelier, or playing leap-frog with the furniture.
Eve Southern, the madonna-like young lady who created such a favorable impression in "The Gaucho," is just tremendously mystic. She has convinced herself.
From left to right : Mary Pickford and Douglas Fairbanks, Clara Bow, Greta Garbo, Elinor Glyn, John Gilbert; and above hini: Harold Lloyd and Joan Crawford
and expends considerable energy in trying to convince others, that she is the reincarnation of Mary, Queen of Scots. She will interrupt any conversation to receive thought waves from the lady who had such a messy death back in the Middle Ages. Perhaps Eve got the idea from Theda Bara. Theda, at one time, was the high mystic of Hollywood, the reincarnation of Cleopatra.
Corinne Griffith once staged a very pretty little prologue to an interview.
After being permitted to sit for the correct few moments in her lovely, if a bit stiff drawing-room (Corinne is a collector of antiques), I was treated to the spectacle of that luscious lady strolling in from her garden, hat in hand, in lovely unconsciousness of an onjooker. It was a charming picture as she paused at the French doors — just long enough for the effect to register properly.
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