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By
FRITZI
REMONT
vill be able to ave for her fiiure. You see, kir. Holubar’s )Ositi'on is such hat I need not ict from the filancial point of dew unless I :are to, and so t’s just the )aby that is my 3ig incentive.
“There, I’m lone. Would /ou like to moor over home vith me and see Gwendolyn ?”
Was any one foing to miss in opportunity )f seeing the )eautiful child )f a very beautiful screen kar? Unlike logo, who replied by saying nothing, I split the atmosphere by as hearty a I'yea-verily” as gver pleased a mother-heart.
The Holubars have a lovely home in Los Angeles. As for Dorothy, she looks like a little sister of the four-yearold Gwendolyn.
No photograph half does justice to the child’s loveliness. She doesn’t like to have a picture taken, is not a bit vain, and rather sets her
little face in an attempt to be grave, for, be it known, Gwendolyn Holubar is full of roguish smiles, of happy twinkles, and has glorious, deep, sentimental eyes that tug at one’s heartstrings. Her greatest possessions are a picture of her mother, selected by herself from dozetis submitted, and a little American flag. She has toys galore, and her mother plays with her in ever)’’ spare moment at home.
At the studio. Miss Phillips has been wearing a gorgeous evening frock of cloth of silver, with magenta velvet, diamond ornaments and rings, and a beautiful string of perfectly matched pearls. At home, .she’s the embodiment of Southern idaintiness. You know how the Southern girls always love 'organdies and flufly-ruffles? Well, that’s the sort of style Dorothy Phillips brings to California from her Baltimore home.
The gods heaped favors into her tender deep gray eyes,
Motion picture acting is but an incident to Dorothy. Phillips It is a means to a very important end. Yet her whole soul is thrown into her
which look like the mountain lakes of northern California. Dorothy Phillips was born in 1892 in Baltimore, and studied at the high school there, then began in stock company, graduated to the cast of “Everywoman,” later did “Mary Jane’s ]Pa’’ with Adonis Dixey, and then spent her summers working for Essanay, refusing to give up her stage career, which she then considered paramount.
Later such inducements were offered Miss Phillips that she gave up the
legitimate stage and has been in pictures ever since, her main reason fob sticking to the “silent” being mother-love. She is {Continued on page 70)
work because she’' not earning a big salary just to buy motors a n d stnnniny clothes, but because—
(Thirty-five)