Motion Picture Classic (Jan-Aug 1919)

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The movie and magazine ofBces call for an endless stream of material! The demand increases every 24 hours! This amazing book, called ‘‘HOW TO BE A SUCCESSFUL WRITER,” tells how, by simply learning the correct principles, people learn to build stories and photoplays in thrilling, entertaining, fascinating form. Who knows — you may have ability you can promptly TURN INTO CASH — TIME THAT YOU ARE WASTING NOW. This fascinating work will delight and profit you, and astonish your friends. SEND NO MONEY — simply fill out coupon below, examine the New Irving System for 5 days, and pay for it only if you are gratified and happy with this new-found Guide to Success. Don’t be one of Life’s wishers and hopers. GRASP THIS OPPORTUNITY. YOU’VE EVERYTHING TO GAIN, NOTHING TO RISK. YOUR COPY IS WAITING. SIMPLY FILL OUT THIS COUPON — MAIL TO-DAY. The Authors’ Press, Dept. 6, Auburn, New York Without obligating me in any way, you may send for 5 days’ free examination. ”HOW TO BE A SUCCESSFUL WKITER,” I wUi return book or remit $3 within 5 days. Name Street City and State WRITE A SONG Love, Mother, home, childhood, patriotic or any subject. I compose music and guarantee publication. Send Words Today. THOMAS MERLIN, 269 Reaper Block, Chicago Every Investor or intending purchaser of Securities should send today for free copy of this interesting booklet. It describes one of the most attractive methods of purchasing securities yet devised. Ask for Booklet “M” 3B WALL STREET NEW YORK Write the Words For a Song Write the words for a song. We revise song-poems, compose music for them, and guarantee to secure publication on a royalty basis by a New York music publisher. Our Lyric Editor and Chief Composer is a song-writer of national reputation and has written many big song-hits. 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But . . . “One grows so lazy in New York,” said Don Pedro. “I should be doing these things now ... at thirty-seven ... I should be at least beginning them. I simply do not get at it. I suppose it is largely a matter of the will growing flabby, the line of least resistance. Inertia. Something of that kind. One is moved along so rapidly from one thing to another . . . but plans . . . “Some day, tho, I shall simply pack my trunks and take my wife and go to Spain and linger there a while, drinking in the old atmosphere, weeding out the old legends, delving into the more intimate records of this great captain of Spain. If I do this I shall feel that I have something to give — that I am ripe — that I am ready. Spain is vivid. It should be made so. It has a wealth of beauty . . . Of course, they will need not only translating, the plays, they will need adapting. They are very old. In the meantime” — ^he gave his light smile — “I must make a name popular enough to attract. To attract the crowd. They will come, I know, to scoff ; they will remain, I hope, because they will like it.” The glamor persisted. It was a wrench to come back to the studio, to the insistence of the telephone, to the raucous yells of “Lights !” One found one’s self asking why. Don Pedro admitted a greater liking for the speaking stage. Admitted, too, the artistic possibilities of the screen . . . deplored its great existing commercialism, which will not pass away in his day or ours . . . Pictures have been kind to him, he admits. He has been fortunate in his leading women, or rather the women he has played the leads to. He has had, no doubt, the best of them in every way. He loves the outof-doors part of them, the traveling about. Past and beyond all these things, he is devoted to his home ; to his wife, who is little more than a bride ; to the inner things which go to the making of life when life is earnest and real and worth while. 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