Motion Picture Classic (Jan-Aug 1919)

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MOTION PICTURE CLASS A Star Who Really Did Her Bit {Continued from page 26) a mighty need for nurses, and Mi Storey, with many other young wome volunteered. These volunteers serv( from eight at night to eight in the mor ing in the city’s overflowing hospitals. One might think that these thin: would constitute a day’s work. But n for the girl ambulance driver. Tl wounded boys in khaki must have amus ment and recreation and the ambulanc move the soldiers to and from the the ters at night. This means that the chau feur turns in her ambulance at abo' one o’clock in the morning. Brief furlos find Miss Storey her country place at Northport, L. Here she busies herself about the gard( and “just relaxes.” Sundays usual bring her brother, Dick, home and there a family reunion. Dick is in the nai and the pilot of a submarine chaser. Ar not the least member of the Ston homestead is a Belgian Red Cross do: found wounded on the roadside in Flai ders by an American ambulance drive Altho he was gassed in rescuing the do the driver got the animal to safety. Ar he later gave the dog to Miss Storey. Is Miss Storey going to return to tl screen ? She’s too busy yet to mal plans. “Besides, ambulance driving isr nearly as wearing as starring in the ph toplay and it’s a thousand times mo fun,” protests Miss Storey. “We all t: to give the boys a good time — and yc can bet none of them will ever forget n ambulance if I can help it.” Will they forget? Just wait until these wounded lads S' Miss Storey on the screen again! Ju wait ! The Screen as a Repertoire Theah {Continued from page 71) is a different length of program rath than of play. Perhaps we shall be givi a full evening’s entertainment instead half a one. Perhaps we shall get back the idea on which the Triangle started minus the $2 price — two five-reelers ai one two-reeler. Already a few towr such as Boston, are putting two featur on a program. It isn’t a very good answ right now, because we haven’t got enouj good long films or even enough good o films to prevent one of the two fi\ reelers being a bore. On the other har when we have got a few more classics good as “The Avenging Conscienci “The Escape,” “The Submarine Pirah “The Coward” and “The Cheat,” wc this double bill of the old and the n( be the way out? The theater manag will get a longer entertainment for little less per hour, and he can char considerably more for it. From the pi ducer’s point of view, it will mean longer life for each production that, really good. All these things, with ( memories thrown in, are surely sou from the viewpoint of the movie fan, ' sound as the European theater, which, will in some degree resemble. (Eighty)