Motion Picture Daily (July–Sept 1938)

Record Details:

Title:
Motion Picture Daily
Date:
July–Sept 1938
Publisher:
New York [Motion picture daily, inc.]
Volume:
Motion Picture Daily (July–Sept 1938)
Leaf #:
000134
Language:
English
Subjects:
Motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
A New York-based daily trade paper published by Martin Quigley. The companion to Quigley's better known weekly publication, MOTION PICTURE HERALD, and a direct competitor to THE FILM DAILY, which was also published out of New York. Established in 1930, MOTION PICTURE DAILY enjoyed a circulation of roughly 5,000 readers most years of its four decades in print (a nearly identical circulation to THE FILM DAILY, but only one third of the readership of MOTION PICTURE HERALD, which reached a wider audience of exhibitors). In the 1930s, the MOTION PICTURE DAILY's editor, Maurice Kann, called on the movie industry to shift more production back to the East Coast. Any productions that filmed in New York received ample attention. New York City never regained its production lead over Hollywood, but the major studios used the Big Apple for their corporate and distribution headquarters. As a result, MOTION PICTURE DAILY tended to focus on economic and regulatory issues confronting the film industry. -- Eric Hoyt, 2014
Date Added:
July 18, 2024
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fROM YESTERDAY is action -drama at its best! " HARRY GOLDSTEIN, District Manager: Cleveland, Pittsburgh, Cincinnati Here's a picture built around a theme that is NEW to the screen! It's a two-fisted human drama of a father and a son old enough to be his rival ... in love, in life, in loyalty and patriotism. ESCAPE PROM ESTERDAY TENTATIVE Picture AKIM TAMIROFF as an ex -Cossack, transplanted to this country, who becomes a modern, motorized cattle thief. (He's rough, tough, yet plenty human.) Picture FRANCES FARMER as the third side to a strange triangle . . . she's the girl the men scrap over, for the old Cossack has a roving eye! (Miss Farmer's best.) Picture LEIF ERIKSON — a virile, six-foot -three bundle of emotions and loyalties, as the son who hasn't seen his father since boyhood. (A real he-man role.) Then picture these characters in sequences that breathe thrills and suspense, that pile conflict upon conflict, until the red corpuscles start a -singing in the blood . . . and you get some idea of the type of action picture we have in "ESCAPE FROM YESTERDAY,"