Motion Picture Daily (Apr-Jun 1948)

Page scan 000365 from Motion Picture Daily

Record Details:

Title:
Motion Picture Daily
Date:
Apr-Jun 1948
Publisher:
New York [Motion picture daily, inc.]
Volume:
Motion picture daily
Leaf #:
000365
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
A New York-based daily trade paper published by Martin Quigley. The companion to Quigley's better known weekly publication, MOTION PICTURE HERALD, and a direct competitor to THE FILM DAILY, which was also published out of New York. Established in 1930, MOTION PICTURE DAILY enjoyed a circulation of roughly 5,000 readers most years of its four decades in print (a nearly identical circulation to THE FILM DAILY, but only one third of the readership of MOTION PICTURE HERALD, which reached a wider audience of exhibitors). In the 1930s, the MOTION PICTURE DAILY's editor, Maurice Kann, called on the movie industry to shift more production back to the East Coast. Any productions that filmed in New York received ample attention. New York City never regained its production lead over Hollywood, but the major studios used the Big Apple for their corporate and distribution headquarters. As a result, MOTION PICTURE DAILY tended to focus on economic and regulatory issues confronting the film industry. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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She remembers Mama... NOTHING here betrays the days that passed between the camera's visits to this room. To movie-goers, all seems the same as when they looked in "only a moment ago." Because — before the camera rolled — the script girl had every single detail in mind — from the actors' make-up, costumes, action, down to the smallest prop. And thus the director's "second memory" made sure that smooth continuity would be faithfully preserved. Through such unflagging watchfulness, the script girl adds much to every picture's perfection . . . saves many a costly retake, too. In this, of course, she's not alone — her "silent partners" are films of great dependability and uniformly high quality — members of the famous Eastman family. EASTMAN KODAK COMPANY ROCHESTER 4, N. Y. J. E. BRULATOUR, INC., DISTRIBUTORS FORT LEE • CHICAGO • HOLLYWOOD