Motion Picture Daily (Jul-Sep 1950)

Page scan 000235 from Motion Picture Daily

Record Details:

Title:
Motion Picture Daily
Date:
Jul-Sep 1950
Publisher:
New York [Motion picture daily, inc.]
Volume:
Motion picture daily
Leaf #:
000235
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
A New York-based daily trade paper published by Martin Quigley. The companion to Quigley's better known weekly publication, MOTION PICTURE HERALD, and a direct competitor to THE FILM DAILY, which was also published out of New York. Established in 1930, MOTION PICTURE DAILY enjoyed a circulation of roughly 5,000 readers most years of its four decades in print (a nearly identical circulation to THE FILM DAILY, but only one third of the readership of MOTION PICTURE HERALD, which reached a wider audience of exhibitors). In the 1930s, the MOTION PICTURE DAILY's editor, Maurice Kann, called on the movie industry to shift more production back to the East Coast. Any productions that filmed in New York received ample attention. New York City never regained its production lead over Hollywood, but the major studios used the Big Apple for their corporate and distribution headquarters. As a result, MOTION PICTURE DAILY tended to focus on economic and regulatory issues confronting the film industry. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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Guardian of her most important "bath"... COSTLY shots like this might be so much spoiled footage . . . save for the vigilance and knowledge of the laboratory man. He makes sure that the dailies take their all-important bath ... inspecting, testing, keeping constant check as the exposed footage runs through the developing, fixing, and washing tanks and driers. To his skill and watchfulness ... as film representing "box-office gold" literally slips through his careful fingers . . . motion pictures owe much of their well-earned reputation for technical excellence. This skill is more effective . . . the burden of constant vigilance lessened . . . when he works with dependable film of superior quality. That's why he always welcomes the family of Eastman motion picture films. EASTMAN KODAK COMPANY ROCHESTER 4, N. Y. J. E. BRULATOUR, INC., DISTRIBUTORS FORT LEE • CHICAGO • HOLLYWOOD