Motion Picture Daily (Jan-Mar 1954)

Page scan 000202 from Motion Picture Daily

Record Details:

Title:
Motion Picture Daily
Date:
Jan-Mar 1954
Publisher:
New York [Motion picture daily, inc.]
Volume:
Motion picture daily
Leaf #:
000202
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
A New York-based daily trade paper published by Martin Quigley. The companion to Quigley's better known weekly publication, MOTION PICTURE HERALD, and a direct competitor to THE FILM DAILY, which was also published out of New York. Established in 1930, MOTION PICTURE DAILY enjoyed a circulation of roughly 5,000 readers most years of its four decades in print (a nearly identical circulation to THE FILM DAILY, but only one third of the readership of MOTION PICTURE HERALD, which reached a wider audience of exhibitors). In the 1930s, the MOTION PICTURE DAILY's editor, Maurice Kann, called on the movie industry to shift more production back to the East Coast. Any productions that filmed in New York received ample attention. New York City never regained its production lead over Hollywood, but the major studios used the Big Apple for their corporate and distribution headquarters. As a result, MOTION PICTURE DAILY tended to focus on economic and regulatory issues confronting the film industry. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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PC WARNERS (3-D) HONDO (Color) John Wayne Geraldine Page WD — 83 min. (Rev. 11/25/53) HIS MAJESTY OKEEFE (Color) Burt Lancaster Joan Rice D — 88 min. (Rev. 12/31/53) THE EDDIE CANTOR STORY (Color) Keefe Brasselle Marilyn Erskine MD — 116 min. (Rev. 12/17/53) THE COMMAND (Cinemascope — Color) Guy Madison^ Joan Weldon James Whitmore WD — 88 min. (Rev. 1/18/54) THE BOY FROM OKLAHOMA (Color) Will Rogers. Jr. Nancy Olson Lon Chaney C — 88 min. (Rev. 1/18/54) CRIME WAVE Sterling Hayden Gene Nelson Phyllis Kirk D — 74 min. (Rev. 1/13/54) UNIV.-INT'L (Dec. Releases) WALKING MY BABY BACK HOME (Color) Donald O'Connor Janet Leigh MD— 78 min. (Rev. 11/12/53) THE GLENN MILLER STORY (Color) James Stewart June Allyson D — 116 min. (Rev. 1/6/54) (Jan. Releases) FORBIDDEN Tony Curtis Joanne Dru D — 85 min. (Rev. 12/2/53) WAR ARROW (Color) Maureen O'HQra Jeff Chandler Suzan Bell D — 78 min. (Rev. 12/8/53) BORDER RIVER (Color) Yvonne De Carlo Pedro Amendariz WD — (Feb. Releases) THE GLENN MILLER STORY (Color) James Stewart June Allyson D— 116 min. (Rev. 1/6/54) (3-D) TAZA, SON OF COCH ISE (Color) Rock Hudson Barbara Rush WD — 79 min. UNITED ARTISTS (London Films) GILBERT AND SULLIVAN (Color) Robert Morley Maurice Evans D — 105 min. (Rev. 10/30/53) "GO. MAN, GO!" Dane Clark Harlem Globetrotters D — 82 min. (Rev. 1/18/54) (Re-release) ALGIERS Charles Boyer Hedy Lamarr D — 95 min. (Rev. 6/29/38) THE CONQUEST OF EVEREST (Color) Documentary D — 78 min. (Rev. 12/8/53) (Feb. Releases) THE MAN BETWEEN James Mason Claire Bloom Hildegarde Neff D— PERSONAL AFFAIR Gene Tierney Glynis Johns D — S2 min. (Rev. 1/13/54) TOP BANANA (Color) Phil Silvers MC — 100 min. (Rev. 1/28/54) OVERLAND PACIFIC (Color) Jack Mahoney Peggie Castle Adele Jergens BEACH H EAD (Color) Tony Curtis Frank Lovejoy Mary Murphy D — 89 min. (Rev. 1/28/54) o o X o o CM UJ u. X UJ IHI — OS x to 5-ioJ ca ? 5 C«= r*j =_5 £ B "3 •sS I % N 1 < i-i-a ccco = z < _ £Z 1 « C^o01 ssR£ 1 if is" to ' UJUJ Ot I uito 5 am 2 i E 5 j X ° X 03 £9 .h ji"S~ifc» I c s1" i^isci — o rt ■— x«iSS <<t^JH; -j E-=so <cc 111 o if os Sic u. ui re " -a 2< t ■;o <c i 03 L_ Q Q_ « M co J-S= Eo Zg»q)L I wcja 3 I LJ <o = ^OS os u. < a o" JZi O .— c E 3 • OS — • o o os-'-g > I . ecu £0^; T^lco o coCDtOQ i P H a o i m a. UJ DC I CO < i-5 «> « e=p^ uj 5 => "cp « os = £° « •= * a . — ' « — '7< CD •> S<m I" x CO .So * «■ £ 3 2 L.-°X,_, OX = coOf S *fl J, . ui ^ ; tf) sz B a o-to tng1 e .J CSrJ « B hj iro ;; >" O < DO $ < 1 g . os -5 npi op -1 c < < a. CO oosrSSsles . O -S g M s, ' UJ Z. o -Z s = ' O SSI g = E- , <s E.S\ Eg * u _, ^ "2 «Srt U. CC P|la| "lL oll." 0IN "«i5o rrt "pi S S « "n « > ^; U S = "■irXilS cc i EQo?3 uj £ M — T oc ? o u. ^szX ««fss; < E c~ — UI re c+ (o*=o-g5 os ^.^ ISbITuS 2 os mi ^ < 2 id cc °2 — a: -oa.* <S^*-o1 ^ OC o cnO sou b . • < g X Si -ss Xui = ah bo>wX o ra u_ ^ i-l 5gloi<Eo« D c B CO < Q > 5 S a !? ujzo:£~~^ ccom S= "EOJt/jjcjj; xoo:" <_=£E.|^ <* festsii CD z 3c lass .uiem = l » to° ^— re z£o>.>.0 zg--| j 1 1 — r (/)"-' E > cc: UJ Ou — "B S3 ^ umo2? i-C & I Ff(OE" (0 a£ 5 -I -I » 1 -I -i si o §0 > < . IU CI xsg U.— 5 °~ S a I— re; >x|~ O 5 . < B _l re r < CO o o B, s 5 a" m CC « c? ~j o I > -1 >, 1i, <u z < Si CO <, CO UJ / 'reSS =r I ® Q > UJ 3 |c . 5^52 g p jf IIS S _I^-P_!5 63 orfg^g -i-'g' « < gJ uj Hi' 2 11 Is; ^ e-= a 0„tj 5 a-cjc S O g ™ » £ Ec '^oS, osS-'csSi-. uj ujos « z 2 " 5 to 'I r— « c . ^ >■ C -z.s s = r ,=>g". ■— E o_ (B'b a\ ^ P * a Qt« g0E =^ • SI o re Q » re^a D Q_ C Sa Et c O WSJ 1 o « S.2 to 5rf = g«S! s utO ' S'l 5 Q-Z t ■ , OO o < to w z g too a' qS-!_ _ CD _= ; re CO totor »— 1— cc < o 02 J= oi5« cj a a UJ^< X uj^h re . 0 s zz 2 a °<<3 g " icui^xg = cs>,Uj 1 >— re O E cc as o_ g re fcS u. * re — o Cjiu Qto = g b a jZDJ,2g os< 5 » b o cc « e a o ».:o ± t — T3 irj <UJ £ b >Z BO o< . xo=.-fT P UJ ° c c til — ^ 3 ri 5^>E H£ > re15 5S03" -osS2 O a, o o = ^^' "E'eA co : to >• 0 « B co >. E j -1 > ~, 0. g^i cogS I -m>0 s o 3 >N i-O 00 IN