Motion Picture Daily (Jan-Mar 1955)

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A list of credits of those responsible for the unanimous praise from the press / MAX LIEBMAN "It would be difficult to gather a east on / presents Broadway today as outstanding as the I 1/lfTflB UEDREPT'C one in this "spectacular". Patrice Munsel, # VIUUK Il CROCK I i equipped with a piquant Franco-Italian / "kl A I lOUTX/ 11 A DITTT A ' ^« accent, made a charming heroine. Not I NAUbtl I T /VI A Kit I I A lllllllll only was her singing a joy but her acting f lllll ingratiating. Alfred Drake, as the stal I BOOK AND LYRICS BY IPllll wart Captain Warrington, swashbuckled I RIDA JOHNSON YOUNG ^^^^ all over the premises with a fine touch I CAST llllllll of bravado and vocally, of course, he I d atditc uiimcci Ml too was tops. John Conte, portraying the I MARIETTA PATRICE MUNSEL ■111 dandy and villainous governor, also con I CAPT. WARRINGTON ALFRED DRAKE 1§1|» tributed a highlight performance, both I ETIENNE JOHN CONTE in speech and song, and so did Gale I YVONNE GALE SHERWOOD l|||||y Sherwood as his jilted loved one. Bambi I pjERRETTE BAMBI LINN ■» linn. ?,ndIRo4du Al1e^ant,e;'i d°"c;n9' e.s I PIERROT ..ZZZZTrOD ALEXANDER Itlllll pecially in the 'Puppet Ballet', made I NB one wish for more. In fact, Rod's choreo I ADAPTATION BY 111111 graphy throughout the show reflected I WILLIAM NEIL FRED BILL fl||§|| the grace and the beauty of the period I FRIEDBERG SIMON SAIDY JACOBSON ...All those who worked on this produc I BOOK STAGED BY tion deserve credit." I MILTON LYON -BEN GROSS, N. Y. DAILY NEWS \\ DANCES AND MUSICAL NUMBERS BY ■ Naughty Marietta' colorful and gay . . . R0D fllEXANDER It was a splendid production ... Max 1 MU^m« c»TnDn°R Llebman assembled a first-rate company 1 CHARLES SANFORD §1111| for this spectacular ... The old familiar I MUSICAL ADAPTATION by songs were sung in style by professionals I CLAY WARNICK AND MEL PAHL who knew their business. Who could ask I ARRANGEMENTS BY .Ji for more?" 1 IRWIN KOSTAL —HARRIET VAN HORNE, N. Y. WORLD TELEGRAM I CHORAL DIRECTOR JiPP 1 CLAY WARNICK "At week's end, NBC scored again with I SETTings and art DIRECTION BY the Max Liebman production of that tune 1 FREDERICK FOX ill .N h. M • T'\ Vr HHerberLS 1 COSTUMES BY '•Naughty Marietta' , beautifully sung by I ... n„pniJT » Alfred Drake and Patrice Munsel and 1 rAUL UUrUNI with dances of fine Latin fervor devised 1 PRODUCTION STAGE MANAGER by Choreographer Rod Alexander." I STERLING MACE —TIME MAGAZINE I GRAPHIC ART I FRANK WILSON "Skillful editing and a highly profes TECHNICAL DIRECTOR ||||||jP sional production job made Max Lieb HEINO RIPP man's ' Naughty Marietta ' one of the I lighting DIRECTORS m&m very best TV musicals seen in recent J FRED McKINNON * HERB GREELEY ■Il «"•"*«•' AUDIO ENGINEER ||i|l|pl%, —JACK HARRISON, HOLLYWOOD REPORTER I CHRISTIE ^^^^tos I ASSISTANT TO THE PRODUCER MMil&fet I MAX SIEGEL s J SUPERVISOR FOR NBC ■SK: I HAL JAN IS J ASSOCIATE PRODUCER DIRECTOR ■It ss. — / BILL HOBIN ^^^^^^R M XmmJ PRODUCED AND DIRECTED BY KM 1 MR. LIEBMAN 'Naughty Marietta' was distinguished for its production numbers ... in color the waltz scenes in the gambling casino were almost like a lovely moving bouquet." —JACK GOULD, N. Y. TIMES " 'Naughty Marietta' has a lovely score and it was given an eye-filling production. I saw it on a 21 -inch color set and some of the production numbers, especially choral dance numbers in the village square, were a riot of color harmony, the 'ike of which I have never before seen on television and rarely anywhere else." —JOHN CROSBY, N. Y. HERALD TRIBUNE "Victor Herbert would have been mighty proud . . . it's nearly half a century (45 years to be exact) since Herbert's operetta first tread the Broadway boards, but Saturday night's vid-tint production gave it a spark and a verve that belied its 1910 vintage. In practically every facet (acting, singing, dancing, camera work, choreography, sets, the costuming and musical direction), ' Marietta ' enjoyed an updated tempo and vivacity designed to strike a universal appeal . . . All in all a real Saturday night treat." — ROSE, VARIETY "Superlatively integrated showmanship in color presentation . . . everybody concerned seemed touched with genius . . . scripting battery was extremely successful." —BOB FRANCIS, BILLBOARD "It was the best tinted show we have caught and the first duel we have seen on live TV . . . Victor Herbert would have liked it." —nick kenny. n. y. daily mirror "Superior production and exceptionally fine talent ... all production hands rate a good deal of credit for the impressive presentation." —daku. Dahy variety NBC Television Sat. Jan. 15th SPONSORED BY YOUR OLDSMOBILE DEALER [nl] PRODUCTIONS REPRESENTED BY WILLIAM MORRIS AGENCY