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A list of credits of those responsible for the unanimous praise from the press
/ MAX LIEBMAN
"It would be difficult to gather a east on / presents
Broadway today as outstanding as the I 1/lfTflB UEDREPT'C
one in this "spectacular". Patrice Munsel, # VIUUK Il CROCK I i
equipped with a piquant Franco-Italian / "kl A I lOUTX/ 11 A DITTT A '
^« accent, made a charming heroine. Not I NAUbtl I T /VI A Kit I I A
lllllllll only was her singing a joy but her acting f
lllll ingratiating. Alfred Drake, as the stal I BOOK AND LYRICS BY
IPllll wart Captain Warrington, swashbuckled I RIDA JOHNSON YOUNG
^^^^ all over the premises with a fine touch I CAST
llllllll of bravado and vocally, of course, he I d atditc uiimcci
Ml too was tops. John Conte, portraying the I MARIETTA PATRICE MUNSEL
■111 dandy and villainous governor, also con I CAPT. WARRINGTON ALFRED DRAKE
1§1|» tributed a highlight performance, both I ETIENNE JOHN CONTE
in speech and song, and so did Gale I YVONNE GALE SHERWOOD
l|||||y Sherwood as his jilted loved one. Bambi I pjERRETTE BAMBI LINN
■» linn. ?,ndIRo4du Al1e^ant,e;'i d°"c;n9' e.s I PIERROT ..ZZZZTrOD ALEXANDER
Itlllll pecially in the 'Puppet Ballet', made I
NB one wish for more. In fact, Rod's choreo I ADAPTATION BY
111111 graphy throughout the show reflected I WILLIAM NEIL FRED BILL
fl||§|| the grace and the beauty of the period I FRIEDBERG SIMON SAIDY JACOBSON
...All those who worked on this produc I BOOK STAGED BY
tion deserve credit." I MILTON LYON
-BEN GROSS, N. Y. DAILY NEWS \\ DANCES AND MUSICAL NUMBERS BY
■ Naughty Marietta' colorful and gay . . . R0D fllEXANDER
It was a splendid production ... Max 1 MU^m« c»TnDn°R
Llebman assembled a first-rate company 1 CHARLES SANFORD
§1111| for this spectacular ... The old familiar I MUSICAL ADAPTATION by
songs were sung in style by professionals I CLAY WARNICK AND MEL PAHL
who knew their business. Who could ask I ARRANGEMENTS BY
.Ji for more?" 1 IRWIN KOSTAL
—HARRIET VAN HORNE, N. Y. WORLD TELEGRAM I CHORAL DIRECTOR
JiPP 1 CLAY WARNICK
"At week's end, NBC scored again with I SETTings and art DIRECTION BY
the Max Liebman production of that tune 1 FREDERICK FOX
ill .N h. M • T'\ Vr HHerberLS 1 COSTUMES BY
'•Naughty Marietta' , beautifully sung by I ... n„pniJT
» Alfred Drake and Patrice Munsel and 1 rAUL UUrUNI
with dances of fine Latin fervor devised 1 PRODUCTION STAGE MANAGER
by Choreographer Rod Alexander." I STERLING MACE
—TIME MAGAZINE I GRAPHIC ART
I FRANK WILSON
"Skillful editing and a highly profes TECHNICAL DIRECTOR
||||||jP sional production job made Max Lieb HEINO RIPP
man's ' Naughty Marietta ' one of the I lighting DIRECTORS
m&m very best TV musicals seen in recent J FRED McKINNON * HERB GREELEY
■Il «"•"*«•' AUDIO ENGINEER
||i|l|pl%, —JACK HARRISON, HOLLYWOOD REPORTER I CHRISTIE
^^^^tos I ASSISTANT TO THE PRODUCER
MMil&fet I MAX SIEGEL
s J SUPERVISOR FOR NBC
■SK: I HAL JAN IS
J ASSOCIATE PRODUCER DIRECTOR
■It ss. — / BILL HOBIN
^^^^^^R M XmmJ PRODUCED AND DIRECTED BY
KM 1 MR. LIEBMAN
'Naughty Marietta' was distinguished for its production numbers ... in color the waltz scenes in the gambling casino were almost like a lovely moving bouquet." —JACK GOULD, N. Y. TIMES
" 'Naughty Marietta' has a lovely score and it was given an eye-filling production. I saw it on a 21 -inch color set and some of the production numbers, especially choral dance numbers in the village square, were a riot of color harmony, the 'ike of which I have never before seen on television and rarely anywhere else."
—JOHN CROSBY, N. Y. HERALD TRIBUNE
"Victor Herbert would have been mighty proud . . . it's nearly half a century (45 years to be exact) since Herbert's operetta first tread the Broadway boards, but Saturday night's vid-tint production gave it a spark and a verve that belied its 1910 vintage. In practically every facet (acting, singing, dancing, camera work, choreography, sets, the costuming and musical direction), ' Marietta ' enjoyed an updated tempo and vivacity designed to strike a universal appeal . . . All in all a real Saturday night treat."
— ROSE, VARIETY
"Superlatively integrated showmanship in color presentation . . . everybody concerned seemed touched with genius . . . scripting battery was extremely successful." —BOB FRANCIS, BILLBOARD
"It was the best tinted show we have caught and the first duel we have seen on live TV . . . Victor Herbert would have liked it." —nick kenny. n. y. daily mirror
"Superior production and exceptionally fine talent ... all production hands rate a good deal of credit for the impressive presentation." —daku. Dahy variety
NBC Television Sat. Jan. 15th
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