Motion Picture Daily (Oct-Dec 1955)

Record Details:

Title:
Motion Picture Daily
Date:
Oct-Dec 1955
Publisher:
New York [Motion picture daily, inc.]
Volume:
Motion picture daily
Leaf #:
000438
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
A New York-based daily trade paper published by Martin Quigley. The companion to Quigley's better known weekly publication, MOTION PICTURE HERALD, and a direct competitor to THE FILM DAILY, which was also published out of New York. Established in 1930, MOTION PICTURE DAILY enjoyed a circulation of roughly 5,000 readers most years of its four decades in print (a nearly identical circulation to THE FILM DAILY, but only one third of the readership of MOTION PICTURE HERALD, which reached a wider audience of exhibitors). In the 1930s, the MOTION PICTURE DAILY's editor, Maurice Kann, called on the movie industry to shift more production back to the East Coast. Any productions that filmed in New York received ample attention. New York City never regained its production lead over Hollywood, but the major studios used the Big Apple for their corporate and distribution headquarters. As a result, MOTION PICTURE DAILY tended to focus on economic and regulatory issues confronting the film industry. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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Motion Picture daily Wednesday, December 7, 19 Among Paramount's Releases for 1956 George Gobel surprised by somewhat horrified elders as he innocently plies Mitzi Gaynor with the first emergency stimulani at band in a scene from "The Birds and the Bees," a \ i v t .1 \ ision production in color by Technicolor. Jeanmaire, Bing Crosby, Gaynor and Donald O'Coniu , , (above) in the musical "An;" thing Goes," in VistaVision an color by Technicolor. race ttoi Jerry Lewis, Eva Gabor an Dean Martin, at left, in a seer from Hal Wallis' "Artists an Models," in VistaVision color by Technicolor. Danny Kaye and Robert Middleton, at left, in "The Court Jester," a Dena Enterprise production in VistaVision and Technicolor. Bobert Wagner and Spencer Tracy (right) in Edward Dmytryk's "The Mountain," in VistaVision and Technicolor. Below: Doris Day and James Stewart in Alfred Hitchcock's "The Man Who Knew Too Much," a VistaVision produc tion in color by Technicolor. Burt Lancaster similes uill, \nna Nfagnani to separate her from Sandro Giglio in one of many tens* scenes from the Hal Wallis production "The Bose Tattoo," in VistaVision. It is the noted Italian actress' first appearance in a Hollywood picture.