Motion Picture Daily (Oct-Dec 1959)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Thursday, December 31, 1959 Motion Picture Daily 3 Promotion Range I Wide for MGM's {"Never So Few" By BLANCHE LIVINGSTON s. sjl in charge of out-of-town publicity 'fjj RKO Theatres r. ITT MAKES exciting news — Frank Sinatra and Gina Lolloh] | brigida together in "Never So Few" co-starring Peter Lawford I ! — Steve McQueen — Richard Johnson — Paul Henreid — ! Brian Donlevy — Dean Jones — in CinemaScope — and Metro 10), -, , „ color. nj Metro is stressing, in ads and massive publicity the catch-phrase H "Frankie and Gina are Lovers." And this teaming of the stars — Sinatra and Lollobrigida — plus a good solid exciting, daringlyI romantic story, against the dramatic backgrounds of India and , , Burma make "Never So Few" one of the really important pictures of the season. Every RKO manager playing the picture has [been asked to back it up 100% with a promotion campaign. We J want these entered in the Metro Managerial Contest and hope » J it'll be an RKO man who wins. National Penetration ni In addition to the fabulous national ad campaign Metro is us'^ing in the key city newspapers, national and fan magazines and the s? tremendous national publicity breaks planned, all of which will | give the picture a great deal of penetration, but selling "Never So ill; Few" from a local level is the big job at hand for us. The ad campaign looks good. I think the title, to a lot of movie I goers, needs an explanation line, and it's done through the catchlines used in many of the ads: "Never so few the moments left for love!" I I "Never so few are the chances H of coming back!" si For the action houses, I'd suggest using copy with the "fighting" art as: "Leading the band of reckless Kashin guerillas into the Burma hills." I One of the ad mats available from the pressbook featuring the line that MGM is stressing in the promotion — "Frankie and Gina are lovers." The ads generally feature a variety of art and copy. Although, Joe Doakes may not know Kashin, it has an intriguing sound. I think it would be smart to take a little money from the newspaper budget and run an ad on the TV page featuring Peter Lawford of "The Thin Man" series and Steve McQueen of "Wanted; Dead or Alive" co-starring with Sinatra and Lollobrigida. Two Trailers! There is a gratis teaser trailer available at local Metro exchanges which should be run two weeks in advance of the regular deluxe production trailer in color. This will also be used as a cross-plug trailer where we have more than one house in town. Action Stills 40 x 60 Aside from regular lobby material, an action 40 x 60 has been made which features several romantic and action scenes and selling copy. This is good to use in advance and can be ordered from Ideal Photographic Corporation in New York — in black-and-white ( $9.00) or in color ($14.00). For a lobby stunt, blow up a still of Sinatra and Lollobrigida (as 1748-4SE). Put Gina's head on hinges so it can fold back and offers girls the chance to have their picture taken with Frankie. The girl, of course, puts her head in, in place of Gina's. This is also a good chance for amateur photographers. Where it is feasible to have a special front and lobby is kept warm enough, try to work in a recessed cage around the Burma backgrounds and put a live monkey in it. A sure stopper, and huilt-in animation. For extra excitement in the lobby, have an oversized card to [Continued on following page]