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The Motion Picture Director (Sep 1925 - Feb 1926)

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1 9 26 THE MOTION PICTURE DIRECTOR 13 corner in the foreground . ... a bustling street scene, filled with the polyglot, cosmopolitan crowd the Parisian s playground. Sister from Paris” has won him a high place in the scenario field. Judging by the detailed synopsis of “Kiki”, Mr. Kraly has done equally good work with the harder problems it involves. Harder because of the fact that in visualizing the action of the star, Kraly was obliged to create, in his own mind at least, a new version of Norma Talmadge. Those who have been fortunate enough to have seen the play in New York or elsewhere may have heard that the American stage versions differed somewhat from the French that may have been made, are probably to spare the feelings of the censors. The screen version which must be offered to an audience so widely opinionated, has probably been slightly toned down from the stage version for the same reason, but it has not suffered in dramatic interest in the process. The screen play will introduce “Kiki” as the guttersnipe of the Paris streets, seller of papers in the Montmarte. Difficulties with her landlady threatens her with eviction, but instead of paying her " (Continued on Page 64)