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Universal’s “New Look’’
“BEAU GESTE”
FOR THE RECORD, Universal City Studios offer the largest facility for the production of motion pictures in the world. With the company winding up to uncork its 1966 product lineup for the coming season, exhibitors will want to catch some of the pictorial highlights presented on these pages. The big studio says it has “The big pictures . . . the big stars” for theatremen the world over.
Featured in the all-color product line-up is what the studio calls “a new look” including many personalities not previously identified with Universal pictures.
Currently going into release are “Moment To Moment,” a Mervyn LeRoy production in Techni¬ color starring Jean Seberg, Honor Blackman, and Sean Garrison, and “The Rare Breed,” in Tech¬ nicolor and Panavision, starring James Stewart, Maureen O’Hara, and Brian Keith.
Also “Madame X,” a Ross Hunter production in Technicolor starring Lana Turner, John For¬ sythe, and Ricardo Montalban; “A Man Could Get Killed,” in Technicolor, starring James Garner, Melina Mercouri, and Sandra Dee; “Blindfold,” in Technicolor, starring Rock Hudson and Claudia Cardinale; and “Arabesque,” a Stanley Donen production in Technicolor, starring Gregory Peck and Sophia Loren, all of which have been completed.
In the final stages of production and planned for release this year are “Southwest To Sonora,” in Technicolor, starring Marlon Brando and Anjanette Comer; “Torn Curtain,” an Alfred Hitchcock production in Technicolor, starring Paul Newman and Julie Andrews; “The Pad (And How To Use It)” a Ross Hunter production in Technicolor; and Beau Geste,” in Technicolor, starring Telly Savalas, Guy Stockwell, and Doug McClure.
Before the cameras are “Gambit,” in Technicolor, starring Shirley MacLaine and Michael Caine, and “Fahrenheit 451,” in Technicolor, starring Julie Christie and Oscar Werner.
Just starting production are “Tobruk,” in Technicolor, starring Rock Hudson and George Peppard; “The Countess From Hong Kong,” in Technicolor, starring Marlon Brando and Sophia Loren, with Charles Chaplin directing; and “Texas Across The River,” in Technicolor, starring Dean Martin, Alain Delon and Rosemary Forsyth.
“THE TORN CURTAIN”
‘THE PAD (AND HOW TO USE IT)'
26
MOTION PICTURE EXHIBITOR
February 9, 1966