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KNOCKOUT #2— DOC.— 50m.
Trans-Lux
LAS VECAS HILLBILLYS— CMU — 90m.— (PC)
Country music tor family program — Woolner NAVY VS. THE NIGHT MONSTERS, THE— MD — 87m.
Fair science fiction for the program — Realart PILGRIMAGE FOR PEACE, A— POPE PAUL VI VISITS AMERICA erts — 5427 (7-20-66) — Effective documentary — Roberts POPPY IS ALSO A FLOWER, THE — MD — 100m. — (EC) — Stephen Boyd, Trevor Howard, Yui Brynner— Exciting tale of police vs. dope smugglers— Comet WOMEN OF THE. PREHISTORIC PLANET— MD— 87m.— (O— Wendell Corey, Keith Larsen, Irene Tsu— 5460 <10-566) — Interesting space odyssey — Realart
YEAR OF THE HORSE, THE — D— 58m. — (EC) — Gabriel Mason, Bradley Joe — 5387 (3-30-66) — Okay entry for propren-« lyr art spots — Meadow
Narrated by Kevin Kennedy — 5460 (10-5-66) — Good entry for boxing enthusiasts — Ferlin Husky, Jane Mansfield, Mamie Van Doren — 5402 (5-11-66) — -(C) — Mamie Van Doren, Anthony Eisley — 5456 (9-21-66) — -DOC. — 56m. — (TC)— Produced by Joesph L. Rob
-5466 (11-2-66)
FOREIGN
DISTRIBUTED DURING THE PAST 12 MQNTwe
AFRICA ADDI0 — DOC — ) 20m. — (TS; TC) — 5486 (12-28-66) — Effective documentary — Foreign-made — Rizzoll ALL THE OTHER GIRLS DO — D — 90m. — Rosemarie Dexter, Jacques Perrin — 5470 (1 1 -) 6-66)— Good import on younger generation abroad — Filmed abroad; English titles — Harlequin Int.
BAND OF OUTSIDERS — D — -94m.— Anna Karina, Sami Frey — 5386 (3-30-66) — Okay offering for art spots — Frenchmade English titles — Royal Films
BLOW-UP — D — 110m. — (C) — Vanessa Redgrave, David Hemmings, Sarah Miles — 5486 (12-28-66) — Interesting off¬ beat import for mature audiences — English-made — Premier
BRIDES OF FU MANCHU, THE — MD — 94m. — ( C ) — Christopher Lee, Douglas Wilner — 5479 (12-14-66) — Exploitable meller — Filmed abroad— Seven Arts
CAVE OF THE LIVING DEAD — MD— 87m. — Adrian Heven, Karin Field — 5420 (7-6-66) — Okay horror dualler — For¬ eign-made; dubbed in English — Trans-Lux
CHRISTMAS THAT ALMOST WASN'T. THE— FAN— 95m.— (EC)— Rossano Brazzi, Paul Tripp— 5467 (11-2-66) — Best for young audiences — Foreign-made; English dialogue — Childhood Prod.
CLOPORTES — D — 102m. — <CS) — Lin© Ventura. Charles Aznavour, Irina Demick — 5402 (5-11-66) — Interesting im¬ port — French-made; English titles — Int. Classics
CLOUDS OVER ISRAEL — D — 85m. — Yiftach Spector, Dina Doronne — 5420 (7-6-66) — Fair Israeli import — Filmed in Israel; English title* — Cwnsweet Prod.
COUNTERFEIT CONSTABLE, THE — C— 86m. — (C) — Robert Dhery, Diana Dors — 5474 (11-30-66) — Cute comedy — Filmed in England — Seven Arts
CUL-DE-SAC — D — 104m. — Donald Pleasance. Francois* Dorleac — 5470 (11-16-66) — Off-beat entry for off-beat audi¬ ences — Filmed abroad — Sigma III
DEAR JOHN — D — 115m. — Jarl Kulle, Christina Schoilin — 5383 (3-16-66) — Good entry for art spots — Swedish-made; English titles — Sigma III
DEFECTOR, THE — D — 106m. — (EC) — Montgomery Clift, Hardy Kruger, Macha Meril — 5470 (11-16-66) — Effective, suspenseful drama — Filmed abroad — Seven Arts
DO YOU KEEP A LION AT HOME — NOV— 81m. — (O— Ladislav Ocenasek, Josef Filip — 5486 (12-28-66) — Okay children's entry should appeal to matinee trade— Czechoslovakian-made — English titles — Brandon ENGAGEMENT ITALIAN® — CD — 85m. — Rossano Brazzi, Annie Girardot — 542) (7-6-66) — Attention holding import — Italian-made; English titles — Sedgeway
ENOUGH ROPE — D— 104m. — Cert Frebe, Marina Vlady, Robert Hossein — 5403 (5-11-66) — Off-beat import for art spots — Filmed abroad: English titles — Artixo
ERIC SOYA'S '17'— (CD)— 87m.— (EC)— Chita Norby, Ole Soltoft— 5491 ( 1 -1 8-67)— Cute import on age-old theme — Danish-made — English titles — PeppercornWormser
FANTOMAS — C — 104m. — ICS; C) — jean Marais., Mylene Demongeot — 5395 (4-27-66) — Spoof of arch-criminal theme Is uneven but at times entertaining — French-made; dubbed in English — Lopert CALI A — D — 105m. — Mireille Dare, Venantino Venantini, Francoise Prevost— 5486 (12-28-66) — Fair import for the art spots — French-made — English titles — Zenith Int.
CAME IS OVER, THE — D — 96m. — (PV; TC) — Jane Fonda, Peter McEnery — 5491 (1-18-67). — Beautifully filmed but questionable "adults only" art offering — French-made — English titles — Royal Films Int.
GOOD TIMES, WONDERFUL TIMES — DOC — 70m. — Produced and directed by Lionel Rogosin — 5430 (8-3-66) — Anti¬ war preachment has limited possibilities — English-made; Rogosin HERO'S WIFE, THE — D — 91m. — Batya Lancet, Gideon Shemer — 5467 (11-2-66) — Okay entry for specialty spots and art circuit — Israel made; English titles — Landau-Unger
IT HAPPENED HERE— D— 95m.— Pauline Murray, Sebastian Shaw— 5451 (8-31 -66)— Interesting off-beat subject— Engl ish-made — Lopert
LA VISITA— CD — 115m. — Sandra Milo, Francois Perier — 5451 (8-31-66) — Cute import — Italian-made; English titles — Promenade
LES BONNES FEMMES — D — 95m. — Bernadette Latent, Mario David — 5431 (8-3-66) — Interesting import — Frenchmade; English titles — Hakim
LOLLIPOP — D— 89m. — Vera Vienna, Jece Valadao — 5383 (3-16-66) — Adult drama of "Lolita" type — Foreign-made; dubbed in English— Times
LOVES OF A BLONDE, THE— CD— 88m.— Hana Brejchova, Vladimir Pucholt— 5467 ( 11 -2-66)— Good art house of¬ fering — Czech-made; English titles — Prominent
LOVINC COUPLES— D^—l 13m. — Harriet Anderssen, Gunnel Lindblom — 5467 (11-2-66) — Sax laden entry best for ma¬ ture audiences at art spots — Swedish-made; English titles — Prominent MADEMOISELLE — D — 103m. — Jeanne Moreau, Ettore Manni, Keith Skinner — 5435 (8-17-66) — Sex-motivated adult
drama for art spots — Foreign-made — Lopert
MAGNIFICENT CONCUBINE, THE— 97m.— (C) —Li Li-hya, Yen Chuan— 5431 (8-3-66)— Good Chinese entry— Filmed in China; English titles — Frank Lee
MANDRACOLA — CD — 100m. — Rosanna Schiaffino, Phiippe Leroy — 5411 (6-8-66) — Strictly for the art set — Italianmade; English titles — Eurepix Consolidated
MARINE BATTLECROUND — MD — 88m. — Jock Mahoney, Pat LI — 5460 (10-5-66) — Strictly for the duallers — Japanesemade; dubbed in English — Manson Dist.
MASCULINE FEMININE— D — 104m. — Jean Pierre Leaud. Chantal Goya — 5468 ( 1 1-2-66)— Imported mish-mash for some of the art spots — French-made; English titles — Royal Films MERRY WIVES OF WINDSOR, THE — OP — 97m. — (TO — Norman Foster, Colette Boky — 5386 (3-30-66) — Pleasant operatic offering for special audiences — filmed abroad; English language — Sigma III MORGAN — C — 97m. — David Warner, Vanessa Redgrave — 5403 (5-11-66) — Ravings and actions of a mental case are not very funny — Cinema V — English-made
MYSTIFIERS, THE — MD — 115m. — Jean Rochefort, Michele Marcier — 5427 (7-20-66) — Suspenseful crime meller — FrancoItalian co-production; dubbed in English— Goldstone Film Ent NIGHT GAMES — D — 104m. — Ingrid Thulin, Keve Hjelm — 5486 (12-28-66) — Adult import for the art and shock spots — Swedish-made — English titles — Mondial
90 DECREES IN THE SHADE — D — 90m.— Ann* Heywood, James Booth — 5474 (11-30-66) — Fair import faces mild reception — Filmed abroad — Landau/Unger
SALTO — D — 104m. — Zbigniew Cybulski — 5431 (8-3-66) — Boring import for art spots — Polish-made; English titles — Kanawha
SANDS OF BEERSHEBA — D — 90m. — Diane Baker, David Opatoshu, Tom Bell — 5405 (5-25-66) — Good adventure entry with topical twist — Filmed in Israel — Landau-Unger
SECRET ACENT SUPER DRAGON— MD — 95m. — (TC) — Ray Danton, Margaret Lee — 5411 (6-8-66) — Colorful, interest¬ holding spy entry — Filmed abroad — United Screen Arts
SHADOW OF EVIL — MD — 92m. — Kerwin Mathews, Pier Angeli — 5487 (12-28-66) — Minor lower half filler — Made abroad — Dubbed in English — Seven Arts
SLEEPING BEAUTY, THE BALLET — 90m. — (TC) — Leningrad Kirov Ballet — 5403 (5-11-66) — Ballet film fine entry for special presentation— Russian-made — Royal Films Int.
SUCKER, THE — C — )01m. — (C) — Bourvil, Louis de Funes — 5421 (7-6-66) — Amusing import — French-made; English titles — Roval Films Int.
SWEET LICHT IN A DARK ROOM — D — 93m. — Ivan Mistrik, Dana Smutna — 542) (7-6-66) — Interesting import— Czech-made; English titles — Promenade
TAKE IT ALL (A TOUT PRENDRE) — D — 99m. — Johanne, Claude Jutra — 5421 (7-6-66) — Artistic jumble — Filmed in Canada: English titles and dialogue — Lopert
10:30 P.M. SUMMER — D — ^89m. — (TC) — Melina Mercouri, Romy Schneider, Peter Finch — 5464 (10-19-66) — Arty of¬ fering for specialty spots — Filmed abroad — Lopert
TOKYO OLYMPIAD — DOC — 93m. — (CS; EC) — Directed by Kon Ichikawa — 5476 (11-30-66) — Excellent sports docu¬ mentary — Japanese-made — Pan World Films
TOMB OF TORTURE — MD — 88m. — Annie Albert, Mark Marian — 5421 (7-6-66) — Okay horror dualler — English-made; Trans-Lux
UP TO HIS EARS — C — 109m, — (EC) — Jean-Paul Belmondo, Ursula Andress — 5423 (7-6-66) — Import is a bit on the "much" side — Filmed abroad: English titles — Lopert
VERY HANDY MAN, A — C — 95m. — Ugo Tognazzi, Ciovanna Ralli — 5487 (12-28-66) — Amusing import for art spots -Italian-made— English titles — Rizzoli
WEIRD, WICKED WORLD — DOC. — 82m.— (TO— A Marco Vkario production — 5387 (3-30-66) — Okay adult novelty of "Monde Cane" type — Italian-made; English narration — ABC Films WIA (WOUNDED IN ACTION) — D — 87m. — Steve Mario, Maura McGiveney — 5387 (3-30-66) — Fairly interesting film about an Army hospital in action — Filmed In the Philippines — Myriad YOUNC WORLD, A — D — -83m. — Christine Delaroche, Nino Castelnuovo — 5415 <6-22-661 — Fair Import focusses on the uncertainities of youth — Filmed abroad; English titles — Lopert
THESE
THEATRE
TESTED
FORMS
AVAILABLE TO MOTION PICTURE EXHIBITOR SUBSCRIBERS!
DATE BOOK FORMS:
. . Pocket-Size-6 ring (344 x 644
in.) Dated full year supply $1.00
. . Large Size-3 ring (9x12 in.)
Undated 52 pages _ .50
SERVICE-KIT SYSTEM:
.. . Large Size complete set oft Date Book forms. Avail¬ ability and Playoff Workshoots, Performance Record and Cut-Off sheets. Booking Calendar, Other Dividers 1.30
. . . Availability and Playoff Worksheets (9 x 12 In.) 10 pages 10
. . . Performance record and Cut-Off Sheets (9x12 In.)
20 pagas .23
BINDERS, Plain:
° . . For Pocket-Size Date Boek
6 ring. Soft leatherette. _ 1.30
. . . For Service-Kit System, Re¬ views, Service Sectien, Stiff leatherette. _ _ 1 .50
ZIPPER CASE BINDERS, Leather:
. . . 3-Ring, genuine cowhide.
Tax incl. — 6.00
BOXOFFICE STATEMENTS:
. . . Regular theatre. Padded In 50's and punched (5Vi x 9
in.). Per pad _ .30
. . . Drive-in theatre. Padded in 50s and punched (5Vi x 9
In.). Par pad _ .30
PROGRAM AND RUNNING TIME SCHEDULES:
. . . For regular and drivo-ln
theatres. Padded in 50's.
Per Pad _ .30
BOOKKEEPING SYSTEM-Books:
. . . At-A-Giance (coypright) for regular and drive-in thea¬ tres. Annual record (9x12 In.) 1.73
BUSINESS ANALYSIS SPREAD¬ SHEETS:
. . . Drivo-in theatres only. Large sheets (11 x 16 v In.) Set of 13 sheets _ .53
PAYROLL FORMS:
. . . Weekly for regular and drivo-in. Folding flap (8V2 X 11 In.). Sot of 53 shoots _ 1.30
EMPLOYEE EARNINGS RECORD CARDS:
. . . Annual card for each em¬ ployee (8V2XII in.). All deductions. Set of 12 cards. .40
PETTY CASH CONTROL SYSTEM:
. . . Voucher pads. numbered consecutively. (3x5 in.) Per Pad _ .30
. . . Weekly envelopes for filling full week's transactions. Set of 50 _ .63
SERVICE MANUALS FOR TRAINING
. . . Separate sections on regular
and drivo-in employees. Each .10
EXHIBITOR BOOK SHOP
317 N. Broad St. Philadelphia, Pa. 19107
January 25, 1967
MOTION PICTURE EXHIBITOR
SERVISECTION 7
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