The Exhibitor (1966)

5500 MOTION PICTURE EXHIBITOR February 1, 1967 ALPHABETICAL GUIDE TO 116 FEATURE REVIEWS This index covers features reviewed thus far during the 1966-67 season in addition to features of the 1965-66 season, reviewed after the issue of Aug. 31, 1966. — Ed. A AFTER THE FOX— 103m.— UA . 5479 AFRICA ADDIO— 120m.— For . 5486 ALL THE OTHER GIRLS DO— 90m.— For . 5470 ALVAREZ KELLY— 1 1 6m.— Col . 5457 ANY WEDNESDAY— 109m.— WB . 5464 APPALOOSA, THE— 98m.— U . 5455 AROUSED — 82m.— Misc . 5474 ARRI VEDERC1 BABY— 105m.— Para . 5482 B BIBLE, THE— 174m.— Fox . 5458 BLOW-UP — 1 1 Om.— For . 5486 BOLSHOI BALLET '67— 75m.— Pare . 5458 BRIDES OF FU MANCHU, THE— 94m.— For. .. 5479 BUSY BODY, THE— 101m.— Para . 5494 c CHAFED ELBOWS— 63m.— Misc . 5491 CHRISTMAS THAT ALMOST WASNT, THE— 95m.— For . 5467 COME SPY WITH ME— 85m.— 20th-Fox . 5490 COUNTERFEIT CONSTABLE, THE— 86m.— For. 5474 COVENANT WITH DEATH, A— 97m.— WB .. 5490 CRAZY QUILT— 75m.— Cont . 5465 CUL-DE-SAC— 1 04m.— For . 5470 D DEAD HEAT ON A MERRY-GO-ROUND— 104m. — Col . 5461 DEADLIER THAN THE MALE— 97m.— U . 5495 DEADLY AFFAIR, THE— 106m.— Col . 5493 DEADLY BEES, THE— 84m.— Para . 5495 DEFECTOR, THE— 1 06m.— Misc . 5470 DEVIL'S OWN, THE— 90m.— 20th-Fox . 5482 DR. GOLDFOOT AND THE GIRL BOMBS— 85m.— AIP . 5473 DO YOU KEEP A LION AT HOME?— 81m.— For. 5486 E EL GRECO— 95m.— 20th-Fox . 5455 ERIC SOYA'S '17'— 87m.— For . 5491 F FAHRENHEIT 451— Him.— U . 5469 FALSTAFF (Chimes At Midnight) — 115m. — For. 5499 FIRST TO FIGHT— 97m.— WB . 5498 FISTFUL OF DOLLARS, A— 96m.— UA . 5483 FOLLOW ME BOYS— 134m.— BV . 5461 FORTUNE COOKIE, THE— 125m.— UA . 5463 FRANKENSTEIN CONQUERS THE WORLD— 98m.— AIP . 5453 FUNERAL IN BERLIN— 102m.— Para . 5478 FUNNY THING HAPPENED ON THE WAY TO THE FORUM, A— 99m.— UA . 5458 G CALI A— 105m.— For . 5486 CAM BIT— 109m.— U . 5470 GAME IS OVER, THE— 96m.— For . 5491 GEORGY GIRL— 100m.— Col . 5462 COAL!— 106m.— Col . 5481 GRAND PRIX— 175m.— MGM . 5482 GUESTS ARE COMING— 1 10m.— For . 5499 Prokopiou, comes to Takis Emmanouel, one of the shepherds, and after considerable by-play, they do make love. On the outskirts of all this, there is a dumb shepherd boy in his early teens who is excited by all the goings-on. The rains come, and the shepherds decide it is time to move on. Joannides wants to remain with Rota, but his elders refuse to leave him behind with his girl. He does escape to come upon the dumb shepherd making love to Rota forcibly at first, and then with her permission. The young boy H HALLUCINATION GENERATION— 85m.— AIP . 5477 HAWAII— 189m.— UA . 5459 HERO'S WIFE, THE— 91m.— For . 5467 HOT RODS TO HELL— 92m.— MGM . 5494 HOTEL— 1 24m.— WB . 5491 HOTEL PARADISO— 96m.— MGM . 5454 I I DEAL IN DANGER— 85m.— Fox . 5463 IS PARIS BURNING?— 173m.— Para . 5469 J JACK FROST— 79m.— Emb . 5462 K KALEIDOSCOPE— 103m.— WB . 5456 KISS THE GIRLS AND MAKE THEM DIE 101 m.— Col . 5489 KNOCKOUT #2— 50m.— Mite . 5460 L LET'S KILL UNCLE— 92m.— U . 5459 LIQUIDATOR, THE— 103m.— MGM . 5454 LOVES Of A BLONDE, THE — 88m.— For . 5467 LOVING COUPLES— 113m.— For . 5467 M MAN FOR ALL SEASONS, A— 120m.— Col . 5477 MARINE BATTLEGROUND— 88m.— For . 5460 MASCULINE FEMININE— 104m.— For . 5468 MISTER BUDDWING— 99m.— MGM . 5454 MONKEYS, CO HOME— 1 01 m.— BV . 5493 MURDERER'S ROW— 108m.— Col . 5478 N NASHVILLE REBEL— 91 m.— AIP . 5473 NAVY VS THE NIGHT MONSTERS, THE— 87m. — Misc . 5456 NIGHT GAMES— 104m.— For . 5486 90 DEGREES IN THE SHADE— 90m.— For . 5474 NOT WITH MY WIFE, YOU DON'T!— 118m.—' WB . 5459 o OH, THOSE MOST SECRET AGENTS— 96m.— AA 5461 ONE SPY TOO MANY— 102m.— MGM . 5462 OSS 117— MISSION FOR A KILLER— 84m.— Emb. 5453 decides to go to his death in the wave-swept ocean. X-Ray: Young love and mature love-mak¬ ing are shown in the world of ancient Greece, before Christ, but not much of that country is seen outside of the bare plains and a bit of a seaside village. Instead, the spotlight is on passions and longing of young and old alike. There isn’t much of a story, but there are a few scenes offering sex of sorts. This may help in the selling. Otherwise, the slow story is go¬ P PENELOPE— 97m. — MGM . 5466 PISTOL FOR RINCO, A— 97m.— Emb . 5465 POPPY IS ALSO A FLOWER, THE— 100m.— Misc . 5466 PREHISTORIC WOMEN— 91m.— Fox . 5495 PROFESSIONALS, THE— 1 17m.— Col . 5465 Q QUILLER MEMORANDUM, THE— 105m.— 20th-Fox . 5478 R RAGE— 103m.— Col . 5473 RED TOMAHAWK— 82m.— Para . 5489 RELUCTANT ASTRONAUT, THE— 102m.— U .. 5490 RETURN OF THE SEVEN— 95m.— UA . 5463 RINGS AROUND THE WORLD— 98m.— Col. ... 5453 ROMEO AND JULIET— 126m.— Emb . 5457 RUN FOR YOUR WIFE— 97m.— AA . 5477 s SAND PEBBLES, THE— 191m.— 20th-Fox. .... 5482 SECONDS— 106m.— Para . 5455 SHADOW OF EVIL— 92m.— For . 5487 SHAMELESS OLD LADY, THE— 95m.— Cont. .. 5465 SHOOT LOUD, LOUDER ... I DON'T UNDERSTAND— 100m.— Emb . 5481 SPINOUT— 95m.— MGM . 5462 SPY WITH A COLD NOSE, THE— 93m.— Emb.. . 5481 SWEET, LOVE, BITTER— 92m.— Misc . 5498 SWINGER, THE— 81m.— Para . 5466 T TARZAN AND THE VALLEY OF GOLD— 100m.— AIP . 5453 10.30 P.M. SUMMER— 85m.— For . 5464 TEXAS ACROSS THE RIVER— 101m.— U . 5455 THAT TENNESSEE BEAT— 84m.— Fox . 5463 TOBRUK— 110m.— U . 5483 TOKYO OLYMPIAD— 93m.— For . 5476 TRUNK TO CAIRO— 80m.— AIP . 5493 25TH HOUR, THE— 1 34m.— MGM . 5494 V VENETIAN AFFAIR, THE— 92m.— MGM . 5489 VERY HANDY MAN, A— 95m.— For . 5487 VULTURE, THE— 91m.— Para . 5495 w WARNING SHOT— 100m.— Para . 5490 WAY— WAY OUT— 101m.— Fox . 5466 WHAT'S UP, TIGER LILY?— 80m.— AIP . 5457 WHERE THE BULLETS FLY— 88m.— Emb . 5474 WOMEN OF THE PREHISTORIC PLANET— 87m.— Misc . 5460 Y YOUNG APHRODITES— 89m.— For . 5499 YOU'RE A BIG BOY NOW— 96m.— Misc . 5498 ing to have to depend on art house attendees, who are attracted to the classical intonations. The acting is fair and properly intense at times; the direction and production values are average. The film is the winner of several prizes abroad. The screenplay, based on an old Greek myth, is by Vassilis Vassilikos and Costas Sphikas. Ad Lines: “A Famous Greek Myth Ex¬ plodes On The Screen”; “Thrill To The Joy And Inexperience Of Young Love.”