The Exhibitor (1966)

5504 MOTION PICTURE EXHIBITOR February 15, 1967 ALPHABETICAL GUIDE TO 127 FEATURE REVIEWS This index covers features reviewed thus far during the 1966-67 season in addition to features of the 1965-66 season, reviewed after the issue of Aug. 31, 1966. — Ed. A AFTER THE FOX— 103m.— UA . 5479 AFRICA ADDIO— 120m. — For . 5486 ALL THE OTHER GIRLS DO— 90m.— For . 5470 ALVAREZ KELLY— 1 16m.— Col . 5457 ANY WEDNESDAY— 109m.— WB . 5464 APPALOOSA, TH&— 98m.— U . 5455 AROUSED — 82m.— Misc . 5474 ARRIVEDERCI BABY— 105m.— Para . 5482 B H HALLUCINATION GENERATION— 85m.— AIP . 5477 HAWAII— 189m.— UA . 5459 HERO'S WIFE, THE— 91m.— For . 5467 HOT RODS TO HELL— 92m.— MGM . 5494 HOTEL— 1 24m.— WB . 5491 HOTEL PARADISO — 96m. — MGM . . 5454 HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING— 1 19m.— UA .. 5503 HURRY SUNDOWN— 146m.— Para . 5502 P PENELOPE— 97m. — MGM . 5466 PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE, THE — 115m. — UA . 5503 PISTOL FOR RINGO, A — 97m. — Emb . 5465 POPPY IS ALSO A FLOWER, THE— 100m.— Misc. . 5466 PREHISTORIC WOMEN — 91m. — Fox . 5495 PROFESSIONALS, THE— 1 17m.— Col . 5465 BIBLE, THE— 174m.— Fox . 5458 BLOW-UP — 110m.— For . 5486 BOLSHOI BALLET '67— 75m.— Para . 5458 BRIDES OF FU MANCHU, THE— 94m.— For. .. 5479 BUSY BODY, THE— 101m.— Para . 5494 c CHAFED ELBOWS— 63m.— Misc . 5491 CHRISTMAS THAT ALMOST WASNT, THE— 95m.— For . 5467 COOL ONES, THE— 95m.— WB . 5503 COME SPY WITH ME — 85m.— 20th-Fox . 5490 COUNTERFEIT CONSTABLE, THE— 86m.— For. 5474 COVENANT WITH DEATH, A— 97m.— WB .. 5490 CRAZY QUILT— 75m.— Cont . 5465 CUL-DE-SAC— 104m.— For . 5470 D DEAD HEAT ON A MERRY-GO-ROUND— 104m. — Col . 5461 DEADLIER THAN THE MALE— 97m.— U . 5495 DEADLY AFFAIR, THE— 106m.— Col . 5493 DEADLY BEES, THE— 84m.— Para . 5495 DEFECTOR, THE— 1 06m.— Misc . 5470 DEVIL'S OWN, THE— 90m.— 20th-Fox . 5482 DR. GOLDFOOT AND THE GIRL BOMBS— 85m.— AIP . 5473 DO YOU KEEP A LION AT HOME?— 81m.— For. 5486 DUTCHMAN— 55m.— Continental . 5501 E EL GRECO— 95m.— 20th-Fox . 5455 ERIC SOYA'S '17'— 87m.— For . 5491 F FAHRENHEIT 451— lllm.— U . 5469 FALSTAFF (Chimes At Midnight) — 115m. — For. 5499 FIRST TO FIGHT— 97m.— WB . 5498 FISTFUL OF DOLLARS, A— 96m.— UA . 5483 FOLLOW ME BOYS— 1 34m.— BV . 5461 FORTUNE COOKIE, THE— 125m.— UA . 5463 FRANKENSTEIN CONQUERS THE WORLD— 98m.— AIP . 5453 FUNERAL IN BERLIN— 1 02m.— Para . 5478 FUNNY THING HAPPENED ON THE WAY TO THE FORUM, A— 99m.— U A . 5458 G GALIA— 105m.— For . 5486 GAMBIT— 109m.— U . 5470 GAME IS OVER, THE— 96m.— For . 5491 GEORGY GIRL— 100m.— Col . 5462 GOAL!— 106m.— Col . 5481 GRAND PRIX— 175m.— MGM . 5482 GUESTS ARE COMING— 1 10m.— For . 5499 Sengoku, Minoru Chiaki, Kyoko Aoyama, Akemi Negishi. Directed by Akira Kurosawa; produced by Sojiro Motoki. Story: Sixty-year-old Toshiro Mifune is a vigorous man for his age who made his fortune through a foundry he established. In 1954, he develops an obsessive fear of the atomic bomb and its effects. At first, he spends much money constructing a bomb shelter in northern Japan, but abandons this when it doesn’t seem safe enough. Instead, he decides that a home in Brazil is more appropriate, and he aims for this, negotiating with a land owner there. His family thinks he is losing his mind and refuses I I DEAL IN DANGER — 85m.— Fox . 5463 I LIVE IN FEAR— 1 05m.— For . 5503 IS PARIS BURNING?— 173m.— Para . 5469 J JACK FROST— 79m.— Emb . 5462 K KALEIDOSCOPE— 103m.— WB . 5456 KISS THE GIRLS AND MAKE THEM DIE 101 m. — Col . 5489 KNOCKOUT #2— 50m.— Mite . 5460 L LET'S KILL UNCLE— 92m.— U . 5459 LIQUIDATOR, THE— 103m.— MGM . 5454 LOVES Of A BLONDE, THE — 88m.— For . 5467 LOVING COUPLES— 113m.— For . 5467 M MAN FOR ALL SEASONS, A— 120m.— Col . 5477 MARINE BATTLEGROUND— 88m.— For . 5460 MASCULINE FEMININE— 104m.— For . 5468 MISTER BUDDWING— 99m.— MCM . 5454 MONKEYS, CO HOME— 1 01 m.— BV . 5493 MURDERER'S ROW— 108m.— Col . 5478 N NAKED AMONG THE WOLVES— 100m.— For. .. 5499 NASHVILLE REBEL— 91 m.— AIP . 5473 NAVY VS THE NIGHT MONSTERS, THE— 87m.— Mite . 5456 NIGHT GAMES— 104m.— For . 5486 NIGHT OF THE GENERALS, THE— 142m.— Col . 5501 90 DEGREES IN THE SHADE— 90m.— For . 5474 NOT WITH MY WIFE, YOU DON'T!— 118m.—' WB . 5459 o OH DAD, POOR DAD, MAMMA'S HUNG YOU IN THE CLOSET AND I'M FEELIN' SO SAD— 86m.— Para . 5502 OH, THOSE MOST SECRET AGENTS — 96m.— AA 5461 ONE SPY TOO MANY— 102m.— MGM . 5462 OSS 117— MISSION FOR A KILLER— 84m.— Emb. 5453 to consider going along. They take him to family court. Its decision sends the case to a high tribunal, and his assets are tied up. He still tries to raise money to proceed, and he eventually suffers a nervous collapse. When he recovers, he sets fire to the foundry, hoping that this will force his family to Recede to his wishes. When he realizes that he has abolished the jobs and security of his workers, he asks them also to come to Brazil, but the safety of this haven is discounted as well. There is now money for the move. He is questioned by the police and then confined to an asylum, where he believes he has finally reached another Q QUILLER MEMORANDUM, THE— 105m. — 20th-Fox . 5478 R RAGE— 103m. — Col . . . . RED TOMAHAWK— 82m.— Para . . RELUCTANT ASTRONAUT, THE— 102m.— U , RETURN OF THE SEVEN— 95m.— UA . RINGS AROUND THE WORLD— 98m.— Col. . ROMEO AND JULIET — 126m. — Emb . . RUN FOR YOUR WIFE — 97m.— AA . s SAND PEBBLES, THE— 191m.— 20th-Fox. .. SECONDS — 106m. — Para . SHADOW OF EVIL— 92m.— For . SHAMELESS OLD LADY, THE— 95m.— Cont. SHOOT LOUD, LOUDER ... I DON'T UNDERSTAND— 100m. — Emb. . SPINOUT— 95m.— MGM . SPY WITH A COLD NOSE, THE— 93m.— Emb. SWEET, LOVE, BITTER— 92m— Misc . SWINGER, THE — 81m. — Para . T TARZAN AND THE VALLEY OF COLD— 100m.— AIP . 10.30 P.M. SUMMER — 85m.— For . TEXAS ACROSS THE RIVER— 101m.— U _ THAT TENNESSEE BEAT— 84m.— Fox . THREE BITES OF THE APPLE— 105m.— MGM TOBRUK— 110m.— U . TOKYO OLYMPIAD— 93m.— For . TRUNK TO CAIRO— 80m.— AIP . 25TH HOUR, THE— 1 34m.— MGM . V VENETIAN AFFAIR, THE— 92m.— MGM _ VERY HANDY MAN, A— 95m. — For . VULTURE, THE— 91m.— Para . w 5473 5489 5490 5463 5453 5457 5477 5482 5455 5487 5465 5481 5462 5481 5498 5466 I 5453 5464 5455 5463 5502 5483 5476 5493 5494 5489 5487 5495 WAR ITALIAN STYLE— 84m.— AIP . 5501 WARNING SHOT— 100m.— Para . 5490 WAY— WAY OUT— 101m. — Fox . 5466 WHAT'S UP, TIGER LILY?— 80m.— AIP . 5457 WHERE THE BULLETS FLY— 88m.— Emb . 5474 WOMEN OF THE PREHISTORIC PLANET 87 m. — Misc . 5460 Y i YOUNG APHRODITES — 89m. — For . YOU'RE A BIG BOY NOW— 96m.— Misc. planet and safety. 5499 5498 X-Ray: There are moments of high interest as well as some competent acting and good direction. The result is a fairly effective entry for the art spots. The emotions of fear do strange things not only to the mind of a man but also to those around him. The unraveling of a human mind is the central theme of this import which presumably can serve in many of the specialty spots. Incidentally, this was made in 1955. Ad Lines: “Kurosawa Presents A Family Dominated by Fear.”