Motion Picture Herald (Sep-Oct 1935)

Page scan 0001032 from Motion Picture Herald

Record Details:

Title:
Motion Picture Herald
Date:
Sep-Oct 1935
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Sep-Oct 1935)
Leaf #:
0001032
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
August 15, 2024
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Film Daily hates it. Ha-ha!' Film Daily says: A merry box-office number. Big laugh riot* A laugh fest with all types of audiences. George Kaufman and Morrie Ryskind have supplied the comedians with excellent material One of the most amusing sequences is on board ship^with Chico and Harpo and Allan Jones, stowaways, and manicurists, waiters and others falling over each other in Groucho's small room. Another laugh provoking scene finds Robert Emmett O'Connor, a detective, hunting the stowaways in Groucho's two-room New York apartment, only to find several beds disappearing under his nose. Of course, the biggest riot of laughs is in the final sequence, with the Marxes wrecking the opera. Chico and Harpo play baseball in the orchestra pit and then Harpo gets into the wings, on and off the ground, causing the scenery to fall in front and back of Walter King, who is singing. Direction, Aces.