Motion Picture Herald (Jan-Feb 1937)

Page scan 00087 from Motion Picture Herald

Record Details:

Title:
Motion Picture Herald
Date:
Jan-Feb 1937
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Jan-Feb 1937)
Leaf #:
00087
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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BELOVED ENEMY tense film . . . The Christmas cinema, take it from me, is now practically complete. Miss Oberon and Mr. Aherne, acting together, are answers to an addict's prayer Its superior stuff. — Robert Garland, N.Y. American _\v,/ ^ Goldwyn again triumphant...In handsome Goldwyn settings under the splendid direction of former stage director H. C. Potter, the story is an absorbing and touching one. — Bland Johaneson, N. Y. Daily Mirror BELOVED ENEMY is a Samuel Goldwyn production, a fact which by now has developed into almost a guaranty of quality. Thanks to an excellent cast, and to such expected Goldwyn attributes as fine photography and direction, BELOVED ENEMY is good dramatic entertainment. — Eileen Creelman, N. Y. Sun / N s \ . — P r o d u c e d by Samuel Goldwyn with all his accustomed flair for cinematic urgency and beauty... Performed with great skill... H. C. Potter has staged it with a keen sense of camera values. — Howard Barnes, N. Y. Herald-Trihune Merle Oberon and Brian Aherne in stir ring drama... A tasteful and impressive production is Samuel Goldwyn's BELOVED ENEMY ...A boon to the screen. ..launched for a holiday run (and then on!) at the Rivoli. — Irene Thirer, N.Y. Posi / Goldwyn's new film earns much praise... A most welcome addition to the holiday entertainment. — Wanda Hale, N. Y. Daily News