Motion Picture Herald (Jul-Aug 1943)

Record Details:

Title:
Motion Picture Herald
Date:
Jul-Aug 1943
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Jul-Aug 1943)
Leaf #:
00091
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
November 17, 2022
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July 10, 1943 MOTION PICTURE HERALD FIRST STILLS IN COLOR FROM "FOR WHOM THE BELL TOLLS' GARY COOPER and Ingrid Bergman (below), as Robert Jordan and Maria, are the stars of Paramount's screen dramatization in Technicolor of the Ernest Hemingway novel based on the Spanish civil war. THE Sierra Nevada Mountains of northern California were used as the setting for the film, a scene from which is shown above, with Gary Cooper pictured. In the fastness of those mountains (below) a group of Spanish Loyalists watch Fascist planes circle over their hideaway in the hills. Left to right are: Eric Feldary, Mikhail Rasumny, Vladimir Sokoloff, Auturo de Cordova, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Gary Cooper. Sam Wood directed the film. LEADERS of the WAC's copper drive in New England discuss their plans: Left to right, B. J. Waters, Jr., executive secretary for the Massachusetts Salvage Division; John D. Orr, regional manager; and Martin J. Mullin of M.&P., local WAC chairman.