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July 24, 1943
Sunday, seven days a week. I work out of local 170, Kansas City, Mo."
Your reference to trouble with Victory carbons is pretty broad and general. * I suggest that you go through your past issues of Better Theatres since the introduction of Victory carbons; there have been a number of excellent articles on projection lighting that dealt with the use of these new carbons. If these do not give you a cue to your difficulty, tell us specifically what your trouble it.
[The department The Light on Your Screen, conducted by Charles E. Shultz, is especially concerned with individual problems in projection lighting. — Ed.]
An Illustrated Note
On Projection in England
OUR OLD FRIEND, William E. Goewey, wrote us the other day to pass on a bit of information that had come to him from England, including a snapshot of a projection room over there.
"I thought you might be interested in hearing about a brother's workshop in En
gland," he says. "The picture was taken by my good projectionist friend Peter Groves, formerly of the Ritz theatre in Leyton, England, and now in the Merchant Navy. The Ritz is a 2,500-seat house with standing room for 500. Looking at the equipment at the other end of the room we have first a bi-Unial, which is a double slide projector; then come the two projectors, which are made by Ross (an English firm). The arc house and the spot are also by Ross. Sound is RCA.
"My friend, Groves is, believe it or not, only 17 years of age and started in projection at 14!
"Notice that the British heads are all open, similar to the Powers. It seems that our makes do not find their way to England, with the exception of the Simplex. I say this because I was told by Groves that he has asked numerous projectionists and that they had only heard of Simplex from the U.S.A., as being the only enclosed type of head.
"Taking the chance that all lady operators in the United States will take up arms against me, let me quote from my friend's letter — and he has had plenty of experience in training women for a projectionist's duties." He writes, "Don't have any women in your box [projection room]. They're poison! I know I am young, but up to now I have had to train six wo
BETTER THEATRES 105
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