Motion Picture Herald (Jul-Aug 1943)

Page scan 000507 from Motion Picture Herald

Record Details:

Title:
Motion Picture Herald
Date:
Jul-Aug 1943
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Jul-Aug 1943)
Leaf #:
000507
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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August 7, I 943 MANAGERS' ROUND TABLE 57 wh / HELD OVER AGAIN i AT THE CAPITOL ^ The "Who's Who" of Stage, Screen and Radio . . . Dotage door CANTEEN JQ BIG I A NAME I 40 STARS ! U BANDS ! CIVILIAN'S ONLY CHANCE TO SEE THE INTERIOR OF THE STAGE DOOR CANTEEN! E. V. Dinerman, RKO ad head in Cincinnati, was responsible for the striking black and white combination (above), also the novelty hold-over ad on "Dixie" (right). THE SCREEN'S GREAT DRAMA • CO-FEATURE • 'ALL BY MYSELF' ROSEMARY PATRIC LANE KNOWLES US keith memorial Carlo Vanicola used this striking hold-over ad recently at the RKO Keith Memorial in Boston. > 1 Jfy its This eye-catcher was prepared by the United Detroit Theatres' staff in Detroit. THE MOST SENSA TIONAL ENTERIAINMENT OFALLTIME IS THE JOYPACKED MUSICAL WONDER NOW IN ITS 2ND WEEK AT AIR-CONDITIONED PALACE DIXIE IN TECHNICOLOR BING CROSBY DOROTHY LAMOUR A PARAMOUNT PICTURE MIDNIGHT SHOW TONIGHT! UTAH THEATRE Continuous Today From 8:00 A. M, 1 1171 U EVERY IfiuonJl WEDNESDAY Credit for these reverse "Swing Shift" slugs goes to Charles Pincus, Paramount Utah theatre, Salt Lake City.