Motion Picture Herald (Nov-Dec 1944)

Record Details:

Title:
Motion Picture Herald
Date:
Nov-Dec 1944
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Nov-Dec 1944)
Leaf #:
000447
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 11, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

in the Hotel Astor, New York Monday HERE COME THE WAVES. That's the title of Paramounfs salute to the women and Tuesday. Above, Spyros Skouras, president, ^g^^l jg^vlce, a Block Three picture to be tradeshown next Friday. IS greeted by Tom Connors, sales vice-presi Above, Sonny Tufts, .Betty Hutton and Bing Crosby, who will bring in the customers, dent, who presided. See page 30. jhey are seen above in a scene from the new picture. THOSE ARTHURS. Four generations of the St. Louis theatrical family are in this picture: Harry C. Arthur, Sr.; Lt. Thomas G. Arthur; his son, Thomas Gregory Arthur II, and Harry C. Arthur, Jr. CONVERSATION, in Mexico. Leo Samuels, Walt Disney foreign manager, and Max Gomez, RKO manager for Mexico, chat in Mexico City before the latter's return to Hollywood after a tour of Caribbean countries. i<v wtalf I'hotographer WILLIAM H. BURNSIDE, who recently was appointed production liaison between Hollywood and London by J. Arthur Rank. He will sign Hollywood stars, writers, directors and especially technicians for all of Mr. Rank's British producing units, and will make his headquarters in Hollywood. Previously, Mr. Burnside had been Hollywood liaison officer for the British Ministry of Information, production assistant to John Grierson, head director of the National Film Board of Canada, and was production executive for the David O. Selznick organization before the war. It is but one other phase of Mr. Rank's widespread world plans for the British industry. MOTION PICTURE HERALD, DECEMBER 9, 1944