Motion Picture Herald (Mar-Apr 1947)

Record Details:

Title:
Motion Picture Herald
Date:
Mar-Apr 1947
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Mar-Apr 1947)
Leaf #:
000244
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

"One of the best features of the year is 'Fear In The Night.' On a par with pictures costing several times what was expended." —DAILY VARIETY "Expert direction and effective acting put 'Fear In The Night' in the 'sleeper' class." —FILM DAILY Sensational 4-page publicity break in 'Fear In The Night' sets new precedent for Pine-Thomas pictures in famous fan magazine. SCREEN GUIDE " 'I Cover Big Town' will pay off. 'Jungle Flight' will show returns. 'Seven Were Saved' measures up to all demands." —VARIETY Pine-Thomas' Super •FEAR IN THE NIGHT" \0 "Top flight 'Fear In The Night' is the finest entertainment upon which Pine-Thomas ever placed a trademark." -HOLLYWOOD REPORTER • • • "As the first of a series, 'Big Town' makes an auspicious start." — M. P. HERALD • mm ' 'Jungle Flight' shows Pine-Thomas talent in characteristic effectiveness." —M. P. DAILY m ' m ' m " 'Fear In The Night' has all the earmarks of a 'sleeper' — and 'Seven Were Saved' is compact, dramatic and exciting!" —THE INDEPENDENT • • • " 'I Cover Big Town' is exciting and exploitable. A definite standout is 'Fear In The Night'."— BOXOFFICE cP' fc\G ..JUNGLE FLIGHT" Extra Releases From w Paramount