Motion Picture Herald (Mar-Apr 1947)

Record Details:

Title:
Motion Picture Herald
Date:
Mar-Apr 1947
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (Mar-Apr 1947)
Leaf #:
000516
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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i : £) 'I J ] J ! 5 CHARM BUILT IN • • • A BSENCE of extraneous decoration marks the design of Paramount Enterprises' new Shores theatre in Miami, Fla. Seating approximately 1000 on a single floor, it is constructed of concrete blocks, stuccoed and waterproofed, with bowstring steel trusses and built-up roof on metal deck. The architects were Steward & Skinner of Miami, with Kemp, Bunch & Jackson, Jacksonville, as associates. ■ The upper face of the facade is o stucco, that below the marquee stucco above a marble base. Entrance doors are Formica with rubbed architectural glass transoms. The marquee, which has a stucco soffit, is tan and turquoise porcelain with neon trim in white and green. A vestibule leads into a spacious lobby (upper left) which has plaster walls painted deep turquoise. Plaster ceiling and pilasters are bone white, the terrazzo floor coral pink and green. Poster frames are mahogany. A corner candy bar and popcorn booth is done in coral and white. The foyer treatment consists in walls of natural walnut veneer, plaster ceiling bone white, red-tanrust carpeting in a floral design, and a fountain piece with mirrors framed by Flexglass columns and tile. 16 BETTER THEATRES, APRIL 5, 1947