Motion Picture Herald (May-Jun 1947)

Record Details:

Title:
Motion Picture Herald
Date:
May-Jun 1947
Publisher:
[New York, N.Y. : Quigley Pub. Co.]
Volume:
Motion Picture Herald (May-Jun 1947)
Leaf #:
000464
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
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Theatre of the Americas . . . with a plan giving direct access to complete restaurant service. It is the Wometco circuit's new Miami theatre, designed by S. Charles Lee, Los Angeles theatre architect, with Robert Collins of Miami as associate. ■ The Wometco circuit's new Miami theatre in Miami, Fla., adapts a plot 65 x 230 feet to a capacity of I860 and makes a restaurant operated by the Huyler organization virtually a parr of the theatre. The front integrates restaurant and theatre in a design extending above both, with terra cotta framing two huge windows, protected by a grid of stainless channel steel, that light the second restaurant level (see floor plans). A stainless steel with Adler advertising equipment using plastic letters identifies the theatre entrance. Warmcolored and fanciful throughout, the theatre exploits Miami as an air travel point between South and North America with a mural in the main foyer (below) of interAmerican theme. • On each floor is a twolevel marble drinking fountain, providing a bubbler at youngster height, and one for adults also. 22 BETTER THEATRES, MAY 31, 1947