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We don't like to cast reflections . .
on some of the very nicest shows in show business today. That's the only reason we don't come right out and name names and point the finger at some of the most famous and acknowledged money-hits of the year, which "GOLDEN EARRINGS" is outgross
ing right and left in its latest dates!
• • •
But the boys at the Rialto Theatre in Butte can tell you the title of that certain Technicolor special that "GOLDEN
EARRINGS" ' opening topped by 30%.
• • •
The management of the Palace in Milwaukee and of theatres in Greensboro and Winston -Salem will identify the world-famous starteam comedy that "GOLDEN EARRINGS" outgrossed by 12 to 21% on opening day. And a startled showman in Bethlehemj
Pennsylvania will tell you just how close "GOLDEN EARRINGS" came to the first-day figures of a certain allstar top-budget Technicolor musical.
• • •
Yes, the latest reports on "GOLDEN EARRINGS" are literally amazing everyone who hadn't read the 3,000 sensational preview comment-cards
that gave "GOLDEN EARRINGS"
an incredible 99-to-l audience rating
of "great entertainment."
• • •
Get your share of amazement and profits. Get "GOLDEN EARRINGS" and make sure it gets that amazing special "treatment" that PARAMOUNT will
help you provide.
• • •
And how that "Golden Earrings" song is helpingl Already among " Billboard's ' official lop 30 radio tunes and high on their Nocethber 15 lists of the lop 10 record and juke box Hits of Tomotlrow. And Capitol Records headlines their Peggy Lee recording as "A 14-kt. hit . . . getting bigger every day!"
RAY MILLAND • MARLENE DIETRICH in "GOLDEN EARRINGS" with MURVYN VYE • BRUCE LESTER REINHOLD SCHUNZEL • DENNIS HOEY • QUENTIN REYNOLDS • A MITCHELL LEISEN PRODUCTION PRODUCED BY HARRY TUGEND • DIRECTED BY MITCHELL LEISEN • SCREEN PLAY BY ABRAHAM POLONSKY, FRANK BUTLER AND HELEN DEUTSCH • FROM THE NOVEL BY YOLANDA FOLDES