Motion Picture Herald (Jan-Mar 1954)

Record Details:

Title:
Motion Picture Herald
Date:
Jan-Mar 1954
Publisher:
New York, Quigley Publishing Co.
Volume:
Motion Picture Herald (Jan-Mar 1954)
Leaf #:
000292
Language:
English
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
May 30, 2024
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OPENING, in New York, of 20th-Fox's "Hell and High Water," at the 20th-Fox product showcase, the Roxy Theatre. There were crowds of celebrities attending, and crowds to watch them. At the left, Plato Skouras, of the Skouras Theatres circuit, and Bella Darvi, French star of the film. OPENING, in Tulsa, Oklahoma, of Warners' "Boy From Oklahoma." At the Will Rogers High School, Will Rogers, Jr., the great humourist's son, unveils the Tamborini portrait of his father. With him is S. L. Goldman of Oklahoma City, right, donor of the portrait. The picture had saturation openings, including one at Claremore, Mr. Rogers, Sr.'s birthplace. GORDON SPARLING, left, new director of production for Associated Screen News, Ltd., of Montreal. His appointment came from Paul Nathanson, who recently acquired ASN control. Mr. Sparling has been in the business 30 years. ROBERT H. DIMPFL, president of Commerce International, London, licensers of Pola-Lite 3-D lens and frame manufacturers and spectacle distributors, said in New York this week 3-D in Great Britain will revive strongly when exhibitors there receive new and better pictures, new type glasses with folding hinges, and a new single film 3-D projection process. He predicted 80 per cent of British exhibition eventually equipping for 3-D under a GB-Kalee plan by which the single film 3-D system would be part of regular projection equipment. by the Herald ON THE SET of Paramount's "Rear Window," Wisconsin exhibitor Leo Miner, center, and Mrs. Miner, at his right, are guests of producer Alfred Hitchcock, right, and stars James Stewart and Grace Kelly. mm mmrnmmmtmmmmmmmmmmmmmmmmm 10 MOTION PICTURE HERALD, FEERUARY 6, 1954