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Construction of new theatres anti modernization of old ones have increased in the past year or two in Europe, South Asia, Japan and Latin America to a degree giving motion picture exhibition a substantial place in the social and economic reorderings of those regions. Widescreen technique is a general consideration, but higher standards of appointments, comfort and convenience for the general public appear also to be influences. This trend is exemplified in one of Europe’s newest theatres, the Rembrandt at Arnhem, Holland, pictured here. It is one of a group owned by Charles van Biene and Paul Nassette. Seating 1,000 in a stadium-type plan, the Rembrandt has a screen 42x18 feet. The floor plan provides for evacuation of a capacity audience without encountering patrons entering or waiting for the next performance. Foyer space can accommodate waiting patrons to the full capacity. Architects of the Rembrandt were C. Nap and G. J. P. van Ede.
The auditorium of the Rembrandt is pictured above from its upper seating section. Below is the refreshment lounge.
A 60-Foot Screen on a Portable Frame
The Cecil Cinema in Hull is a recent addition to some half-dozen theatres built in Britain since relaxation of building restrictions two years ago. The auditorium view of the Cecil at left shows the screen which, though 60 feet wide and curved, can be transported to the rear of the platform for stage performances. Installed by G. B.-Kalee, the screen is mounted on a portable frame.
BETTER THEATRES SECTION
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